Tag: paper covers

“1981” | 21: 21 Picador Authors Celebrate 21 Years of International Writing (Picador, 1993; Paperback)

Notes on this edition: “1981” by Julian Barnes. Published in 21: 21 Picador Authors Celebrate 21 Years of International Writing.  London: Picador, 1993. Pp. 281 + [3]. 19.7 x 13.1 cm. ISBN: 0330331329. (Paperback with French flaps).

Also published in hardback.

Contributors include:

1972: Oliver Sacks
1973: Patrick McCabe
1974: Graham Swift
1975: Russell Hoban
1976: Ian McEwan
1977: Charles Nicholl
1978: Caryl Phillips
1979: Jim Crace
1980: Candia McWilliam
1981: Julian Barnes
1982: Clive James
1983: Edmund White
1984: Mark Lawson
1985: Tama Janowitz
1986: David Profumohard
1987: Colm Tóibín
1988: Christopher Hope
1989: Rober McLiam Wilson
1990: Norman Lewis
1991: Kathy Lette
1992: Tariq Ali

The Good Soldier: Ford Madox Ford | “Preface” (Ellipses, 2005)

Notes on this edition: The Good Soldier: Ford Madox Ford. Edited by François Gallix. Paris: Ellipses, 2005. Pp. 102 + [10]. 24 x 16 cm. ISBN: 2729825290.

Julian Barnes’s preface to this publication is titled, “He Confused to Make Clear” (pp. [11]-15. The preface is published in English, while essays within the volume are either French or English.

South Wind Through the Kitchen: The Best of Elizabeth David | “Foreword” (David R. Godine, 2006)

Notes on this edition: Julian Barnes. “Foreword.” South Wind Through the Kitchen: The Best of Elizabeth David. Compiled by Jill Norman. Boston: David R. Godine, 2006. Pp. [xxxii], 383 [384]. 22.8 x 15.2 cm. ISBN: 1567923097.

Julian Barnes’s foreword appears on pp. vii-xvii.

Areté Magazine | “Appetite” (Issue 2: Spring/Summer 2000)

Notes on this edition: Julian Barnes. “Appetite.” Areté Magazine, Issue 2 (Spring/Summer 2000): [53]-61. Areté Magazine is edited by Craig Raine.

Black Water 2 | “A Self-Possessed Woman” (Clarkson Potter, 1990)

Notes on this edition: Julian Barnes. “A Self-Possessed Woman.” Black Water 2: More Tales of the Fantastic. Edited by Alberto Manguel. New York: Clarkson Potter, 1990. Pp. 941 + [7]. 19.7 x 13 cm. ISBN: 0517575590.

Julian Barnes’s story appears on pp. [444]-459.

The Fun of It | “What’s in a Domain Name?” (Modern Library, 2001)

Notes on this edition: Julian Barnes. “What’s in a Domain Name?” The Fun of It: Stories from the Talk of the Town. Edited by Lillian Ross. New York: The Modern Library, 2001. Pp. 478 + [10]. 23.4 x 15.5 cm. ISBN: 0375756493.

Julian Barnes’s essay appears on pp. [448]-449. Originally published in the 3 April 2000 issue of The New Yorker.

Writers at the Movies (Perennial, 2000)

Notes on this edition: Julian Barnes. “Book into Film: Chabrol’s Madame Bovary.” Writers at the Movies: Twenty-Six Contemporary Authors Celebrate Twenty-Six Memorable Movies. Edited by Jim Shepard. New York: Perennial, 2000. Pp. 277 + [1].23.1 x 15.5 cm. ISBN: 0060954914.

 

The Esquire Book of Sports Writing (Penguin, 1995)

Notes on this edition: Julian Barnes & Martin Amis. “The Grudge Match”. The Esquire Book of Sports Writing. Edited by Greg Williams. London: Penguin, 1995. Pp. 229 [230]. 19.7 x 12.9 cm. ISBN: 0140251243.

The entire entry runs from pp. 117-[124] with Julian  Barnes’s specific contribution on pp. 121-[124]. Originally published in Esquire Magazine in 1991.

The Writing Life | Uncorrected Proof (Public Affairs, 2003)

Notes on this edition: The Writing Life: Writers on How They Think and Work. Edited by Marie Arana. New York: Public Affairs, 2003. Pp. 404 + [6]. 20.8 x 13.9 cm.

Uncorrected proof in paper covers. Julian Barnes’s entry is titled “Literary Executions” appears on pp. 382-386. Barnes’s biographical profile appears on pp. [380]-382.

“A Collection from The Washington Post Book World”.

Ford Madox Ford, France and Provenance (Rodopi, 2011)

Notes on this edition: Julian Barnes. “Ford and Provence”. Ford Madox Ford, France and Provenance. Edited by Dominique Lemarchal and Claire Davison-Pégon. Amsterdam: Editions Rodopi B.V., 2011. Pp. 297 + [23]. 22 x 15 cm. ISBN: 9789042033474.

Barnes’s essay appears on pp. 153-163. “An un-annotated version of this essay was first published in the Guardian, 21 August 2010, Review, 2-4, under the title ‘Ford Madox Ford’s passionate affair with Provence‘.”