A History of the World in 10½ Chapters (Cambridge University Press, 1995)


Notes on this edition: A History of the World in 10½ Chapters. Edited by Ron Middleton. Cambridge: Cambridge University Press, 1995. Pp. 350. ISBN: 9780521484787.

Published as part of the “Cambridge Literature” series (Series Editor Judith Baxter) for use in classroom instruction. Includes an introduction, resource notes, study questions, and a glossary of terms.

10 1/2 lukua maailmanhistoriaa | A History of the World in 10½ Chapters (WSOY, 1995; Finnish)


Notes on this edition: 10 1/2 lukua maailmanhistoriaa | A History of the World in 10½ Chapters. Porvoo | Helsinki | Juva: WSOY, 1995. Pp. 430. 20 cm. Translated by Kristiina Drews. ISBN: 9510201375. (Finnish).

Nije to ništa strašno | Nothing to Be Frightened of (Geopoetika, 2011; Serbian)


Notes on this edition: Nije to ništa strašno | Nothing to Be Frightened of. Belgrade: Geopoetika, 2011. Pp. 197. Translated by Ivan Filipović. ISBN: 9788661450556. (Serbian)

This is the paperback edition of the original translation published in 2008.

Flaubert et une gouvernante anglaise: à la recherhe de Juliet Herbert (Publications des Universités de Rouen et du Havre, 2011; Preface)


Notes on this edition: Flaubert et une gouvernante anglaise: à la recherhe de Juliet Herbert. Hermia Oliver. Mont-Saint-Aignan: Publications des Universités de Rouen et du Havre, 2011. Pp. 264. Translated by Gillian Pink.

Preface by Julian Barnes; printed in French (pp. 7-12) and English (pp. 12-16). The French translation of Barnes’s preface by Catriona Seth.

The book Flaubert and an English Governess was originally published in English in 1980 by Oxford University Press.

Tekmeyi Yapıştırmak | Putting the Boot In (Ayrinti, 2001; Turkish)


Notes on this edition: Tekmeyi Yapıştırmak | Putting the Boot In. Istanbul: Ayrıntı Yayinlari, 2001. Translated by Serdar Rifat Kırkoğlu. ISBN: 9789755393254. (Turkish).

La mesa limón | The Lemon Table (Anagrama, 2005; Spanish | 3rd edition)


Notes on this edition: La mesa limón | The Lemon Table. Barcelona: Anagrama, 2005. Pp. 234. 22 cm. ISBN: 9788433970688. Translated by Jaime Zulaika. (Spanish).

Paper covers with French flaps. The first Anagram edition was published in April 2005, with the 2nd published in May and the 3rd edition in June. The example featured in this post is the 3rd edition, as indicated on the copyright page and the dark blue promotional band wrapped around the covers. Author photography by Jillian Edelstein.

Pulso | Pulse (Anagrama, 2012; Spanish | 3rd edition)


Notes on this edition: Pulso | Pulse. Barcelona: Editorial Anagrama, 2012. Pp. 259. 22 cm. ISBN: 9788433975799. Translated by Mauricia Bach. (Spanish).

Paper covers with French flaps. The first Anagram edition was published in 2011, whereas Anagrama published the 2nd and 3rd editions in January 2012. The example featured in this post is the 3rd edition, as indicated on the copyright page and the dark blue promotional band wrapped around the covers. Author photography by Lisbeth Salas.

Nothing to be Frightened of | Uncorrected Proof in Dark Pink (Jonathan Cape, 2008)


Notes on this edition: Nothing to be Frightened of. London: Jonathan Cape, 2008. Proof ISBN: 9780224085410.

Uncorrected Proof in dark pink paper cover. Back cover lists preliminary price as £17.99 with a scheduled publication date of March 2008.

 

 

Keeping an Eye Open (Jonathan Cape, 2015)


Notes on this edition: Jonathan Cape published Julian Barnes’s collection of art essays Keeping an Eye Open in 2015. On the “Acknowledgements” page, Barnes states (in part), “This book owes its existence to the encouragement of my friend and Danish publisher Claus Clausen. When he first suggested bringing out a collection of my art essays, I thought he was joking; when he repeated the offer, I thought he was still just being polite. He convinced me otherwise, and twelve of these pieces appeared as Som jeg ser dat (Tiderne Skifter, 2011).”

Descriptive Bibliography: First edition – London: Jonathan Cape, 2015. £16.99. Paper cover with French flaps.

Title Page: KEEPING AN EYE OPEN | ESSAYS ON ART | Julian Barnes | [Jonathan Cape device] | JONATHAN CAPE | LONDON

Copyright Page: Published by Jonathan Cape 2015 | 2 4 6 8 10 9 7 5 3 1 | Copyright © Julian Barnes 2015 | Julian Barnes has asserted his right under the | Copyright, Designs and Patents Act 1988 | to be identified as the author of this work. | This book is sold subject to the condition that it shall not, | by way of trade or otherwise, be lent, resold, hired out, | or otherwise circulated without the publisher’s prior consent in | any form of binding or cover other than that in which it is | published and without a similar condition, including this | condition, being imposed on the subsequent purchaser | First published in Great Britain in 2015 by | Jonathan Cape | 20 Vauxhall Bridge Road, | London SW1V 2SA | www.vintage-books.co.uk | global.penguinrandomhouse.com | A CIP catalogue record for this book is | available from the British Library | ISBN 9780224102018 | The Random House Group Limited supports The Forest | Stewardship Council (FSC®), the leading international forest | certification organisation. Our books carrying the FSC label are printed | on FSC® certified paper. FSC is the only forest certification scheme | endorsed by the leading environmental organisations, including | Greenpeace. Our paper procurement policy can be found at: | www.randomhouse.co.uk/environment | Printed and bound in China by C&C Offset Printing Co., Ltd

Collation: 23.4 x 15.2 cm. Pp. [i-viii] 1-2 [3] 4-24 [25] 26-28 [29] 30 [31] 32-44 [45] 46-50 [51] 52-54 [55] 56 [57] 58-59 [60] 61-62 [63] 64-70 [71] 72-77 [78] 79-83 [84] 85 [86] 87-90 [91] 92-95 [96] 97-100 [101] 102-103 [104] 105-108 [109] 110 [111] 112-116 [117] 118 [119] 120 [121] 122-126 [127] 128-130 [131] 132-133 [134] 135-139 [140] 141-142 [143] 144-149 [150] 151-153 [154] 155-157 [158] 159-161 [162] 163-173 [174] 175-178 [179] 180-181 [182] 183-187 [188] 189-193 [194] 195-204 [205] 206-210 [211] 212 [213] 214-217 [218] 219-220 [221] 222-227 [228-229] 230 [231] 232 [233] 234-237 [238] 239-245 [246] 247 [248] 249-256 [257] 258-262 [263] 264 [265] 266-268 [269] 270-276 [277-280]. [i]: ‘KEEPING AN EYE OPEN’. [ii]: ‘By the same author | FICTION | Metroland | Before She Met Me | Flaubert’s Parrot | Staring at the Sun | A History of the World in 10½ Chapters | Talking it Over | The Porcupine | Cross Channel | England, England | Love, etc | The Lemon Table | Arthur & George | Pulse | The Sense of an Ending | NON-FICTION | Letters from London 1990–1995 | Something to Declare | The Pedant in The Kitchen | Nothing to be Frightened of | Through the Window | Levels of Life | TRANSLATION | In The Land Of Pain | by Alphonse Daudet’. [iii]: title page. [iv]: copyright page. [v-vi]: [Table of Contents]. [vii] ‘FOR PAT’. [vi]. [viii]: blank. 1-2: text. [3]: [image with caption: ‘Quimperlé (Finistère): Le Pont fleuri’]. 4-24: text. [25]: [image with caption: ‘Scene of Cannibalism on the Raft of the Medusa by Géricault’]. 26-28: text. [29]: [image with caption: ‘The Raft of the Medusa by Géricult | Detail showing men waving at the ship’]. 30: text. [31]: [image with caption: ‘The Raft of the Medusa by Géricault | Detail of the man with the grey beard’]. 32-44: text. [45]: [image with caption: ‘The Raft of the Medusa by Géricault | Detail showing prone figure modelled by Delacroix’’]. 46-50: text. [51]: [image with caption: ‘Homage to Delacroix by Fantin-Latour | Detail showing, from left, Whistler, the novelist Champfleury, Manet’]. 52-54: text. [55]: [image with caption: ‘An unmade Bed by Delacroix’]. 56: text. [57]: [image with caption: ‘The Mediterranean by Courbet’]. 58-59: text. [60]: [image with caption: ‘The Meeting (detail) by Courbet’]. 61-62: text. [63]: [image with caption: ‘The Artist’s Studio (detail) by Courbet’]. 64-70: text. [71]: [image with caption: ‘A Studio at Les Batignolles by Fantin-Latour | Detail showing Manet (at easel), Renoir (in the picture frame), and Monet (far right)’]. 72-77: text. [78]: [image with caption: ‘The Bouquet of Lilacs by Manet’]. 79-8: text.3 [84]: [image with caption: ‘The Execution of Maximilian (detail) by Manet’]. 85: text. [86]: [image with caption: ‘The Execution of Maximilian by Manet | Detail of the NCO cocking his rifle from the painting in London (left) | and the version in Mannheim (right)’]. 87-90: text. [91]: [image with caption: ‘A Corner of the Table by Fantin-Latour | Detail showing (from left) Verlaine, Rimbaud and Léon Valade’]. 92-95: text. [96]: [image with caption: ‘Homage to Delacroix by Fantin-Latour | Detail showing Fantin-Latour’]. 97-100: text. [101]: [image with caption: ‘The Dubourg Family by Fantin-Latour’]. 102-103: text. [104]: [image with caption: ‘Homage to Cézanne by Denis | Detail showing (from left) the painters Redon and Vuillard, | and the art critic André Mellario’]. 105-108: text. [109]: [image with caption: ‘The Card Players by Cézanne’]. 110: text. [111]: [image with caption: ‘Madame Cézanne in a Red Armchair by Cézanne’]. 112-116: text. [117]: [image with caption: ‘Apotheosis of Degas by Edgar Degas and Walter Barnes’]. 118: text. [119]: [image with caption: ‘Combing the Hair by Degas’]. 120: text. [121]: [image with caption: ‘The Dance Lesson (detail) by Degas’]. 122-126: text. [127]: [image with caption: ‘Madame Camille Redon Reading by Redon’]. 128-130: text. [131]: [image with caption: ‘Chimera (Fantastic Monster) by Redon’]. 132-133: text. [134]: [image with caption: ‘The Cyclops by Redon’]. 135-139: text. [140]: [image with caption: ‘The Anabaptists: Pierre Bonnard by Vuillard’]. 141-142: text. [143]: [image with caption: ‘Nude in the Bath by Bonnard’]. 144-149: text. [150]: [image with caption: ‘A Corner of the Table by Bonnard’]. 151-153: text. [154]: [image with caption: ‘Woman Sweeping by Vuillard’]. 155-157: text. [158]: [image with caption: ‘The Nape of Misia’s Neck by Vuillard’]. 159-161: text. [162]: [image with caption: ‘The Chat by Vuillard’]. 163-173: text. [174]: [image with caption: ‘The Lie by Vallotton’]. 175-178: text. [179]: [image with caption: ‘The Five Painters by Vallotton | Detail showing Vallotton (standing), Bonnard (left) and Vuillard’]. 180-181: text. [182]: [image with caption: ‘Money by Vallotton’]. 183-187: text. [188]: [image with caption: ‘The Pond (Honfleur) by Vallotton’]. 189-193: text. [194]: [image with caption: ‘Les usines de Rio Tinto à l’Etaque by Braque’]. 195-204: text. [205]: [image with caption: ‘George Braque, artist, and his wife Augustine, Paris, 27th January, 1959 | by Richard Avedon’]. 206-210: text. [211]: [image with caption: ‘Les Affinités Electives by Magritte’]. 212: text. [213]: [image with caption: ‘La Clairvoyance by Magritte’]. 214-217: text. [218]: [image with caption: ‘Proposed Colossal Monument for Central Park North, N.Y.C. – Teddy Bear | by Oldenburg’]. 219-220: text. [221]: [image with caption: ‘Giant Soft Fan by Oldenburg’]. 222-227: text. [228]: [image with caption: ‘Dead Dad by Mueck’]. [229]: [image with caption: ‘Vénus ataxique by Richer’].230: text. [231]: [image with caption: ‘The Head of an Englishman’]. 232: text. [233]: [image with caption: ‘The Hand of a Giant from Barnum’s Circus’]. 234-237: text. [238]: [image with caption: ‘Artist in his Studio by Rembrandt’]. 239-245: text. [246]: [image with caption: ‘Hotel Bedroom by Freud | Detail showing Caroline Blackwood’]. 247: text. [248]: [image with caption: ‘The Painter Surprised by a Naked Admirer (detail) by Freud’]. 249-256: text. [257]: [image with caption: ‘Two Japanese Wrestlers by a Sink by Freud’]. 258-262: text. [263]: [image with caption: ‘Alpine Snow by Hodgkin’]. 264: text. [265]: [image with caption: ‘After Degas by Hodgkin’]. 266-268: text. [269]: [image with caption: ‘Lovers by Hodgkin’]. 270-276: text. [277-280]: [blank].

General description: Paper covers designed by Suzanne Dean using various artworks. Cover: Alpine Snow by Howard Hodgkin; Front Flap: The Dance Lesson by Edgar Degas; Spine: The Artist’s Studio by Gustave Courbet; Back Cover: The Lie by Félix Vallotton; Back Flap: The Execution of Maximilian by Édouard Manet. Inside of the front and back of the paper cover features an image of paint brushes, as shown. Back flap of dust jacket features an author photograph by Alan Edwards.

Benimle Tanışmadan Önce | Before She Met Me (Ayrinti, 2002; Turkish)


Notes on this edition: Benimle Tanışmadan Önce | Before She Met Me. Istanbul: Ayrıntı Yayinlari, 2002. Pp. 180. 17 cm. Translated by Serdar Rifat Kırkoğlu. ISBN: 9755392378. (Turkish).