Notes on this edition: “Interference” by Julian Barnes. Knopf Short Story Sampler, Spring 1996.
This sampler includes a mock-up of the title page for Barnes’s short story collection Cross Channel. The story itself appears on pp. 5-26.
Other books included in this sampler:
- The Stupefaction / Diane Williams
- Cruising Paradise / Sam Shepard
- Nightwork / Christine Schutt
- Battling against Castro / Jim Shepard
Notes on this edition: David Rees – Bruce Chatwin, Martin Amis, Julian Barnes: A Bibliography of Their First Editions. London: Colophon Press, 1992. Pp. 24. ISBN (numbered edition): 1874122024; (lettered edition): 1874122032.
An early bibliography of Julian Barnes’s works from Metroland to Talking It Over, including his novels written under the pseudonym Dan Kavanagh.
Number 2 in the Colophon Press Bibliography Series, published on 14 February 1992. Published in an edition of 250 numbered copies, with an additional 26 signed copies lettered A-Z.
Notes on this edition: Laura Cumming. Julian Barnes. London: Book Trust in Conjunction with the British Council, 1990.
Pamphlet with three folds making four panels per side. Measures 10 x 21 cm when folded. Includes biographical information written by Laura Cumming, a short bibliography of Barnes’s novels, blurbs from critics, and Barnes’s photo and facsimile signature to the front panel.
Notes on this edition: “The Stowaway” from A History of the World in 10½ Chapters. The Reader’s Collection, 1989. Pp.28.
Sample chapter from Julian Barnes’s novel bound in paper covers. Stated on the inside pages: “This free sample chapter is one of the four specially printed for the Summer Reader’s Collection […]”.
The sample chapter includes a reproduction of the novel’s title page and copyright page. As this is the only sample examined, it remains unclear why the Barnes chapter was bound in a cover featuring cover art from Gita Mehta’s Raj.
Notes on this edition: The Sense of an Ending. London: Vintage, 2017.
This edition was produced as a special movie tie-in promotion conducted in conjunction with the Daily Telegraph.
Also featured is a promotional, movie tie-in bookmark.
Notes on this edition: À jamais: et autres nouvelles. Paris: Denoël / Gallimard Folio, 2009. Pp. 112. 18 cm. Translated by Jean-Pierre Aoustin. ISBN: 9782070360956.
Three short stories reprinted from the French translation of Julian Barnes’s collection Cross Channel (“Nouvelles extraites du recueil Outre-Manche“). The stories include “Evermore”, “Experience”, and “Hermitage”.
Title page lists the publisher as Denoël. The spine states the book is folio book no. 4839.
Notes on this edition: Hynson, Colin. “Julian Barnes.” Book and Magazine Collector, No. 98, May 1992. Pp. 39-45.
This issue of Book and Magazine Collector features a lengthy overview of Julian Barnes’s publications up to Talking It Over (1991). The piece depicts the beginning of an overall increase in the collectible value of Julian Barnes books, especially for his highly-praised novel Flaubert’s Parrot.
Notes on this edition: “One of a Kind.” Peterborough: RNIB, [nd].
The Royal National Institute of Blind People published Julian Barnes’s short story “One of a Kind” along with three other short stories. Spiral bound, the cover is labelled “Short Stories 158”. No printed publication date.
Barnes’s short story “One of a Kind” was originally published in the London Review of Books, Vol. 4, No. 3, 18 February 1982, pp. 23-24.
This edition inscribed “One of Ryan’s more obscure discoveries – all good wishes – Julian Barnes”.
Notes on this edition: The Noise of Time. London: Vintage, 2017. Pp. 183. 20 cm. ISBN: 9781784703325
The first paperback edition issued by Vintage in the United Kingdom. Paper covers with promotional blurbs printed on the inside covers. Precedes the Waterstones exclusive edition, which is identical (size, ISBN, title page, copyright page, etc.), except that the cover of the Waterstones edition has French flaps.
Also featured is a promotional bookmark for the novel.
Notes on this edition: Julian Barnes wrote four crime novels using the pseudonym “Dan Kavanagh”, but the first time he used the name in print was to sign a letter to the editor in the 25 May 1979 issue of The New Statesman (p. 753). This copy is signed by Barnes, “Dan Kavanagh’s first appearance in print! DK/JB”.