Notes on this edition: Dan Kavanagh. Going to the Dogs. New York: Perennial Library, 1989. Pp. 207 [208]. 17.7 x 10.4 cm. ISBN: 0060809531.
American paperback edition with “A PERENNIAL BRITISH MYSTERY” noted on the front cover.
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Notes on this edition: Dan Kavanagh. Going to the Dogs. New York: Perennial Library, 1989. Pp. 207 [208]. 17.7 x 10.4 cm. ISBN: 0060809531.
American paperback edition with “A PERENNIAL BRITISH MYSTERY” noted on the front cover.
Notes on this edition: Julian Barnes. El Perfeccionista en la cocina | The Pedant in the Kitchen. Barcelona: Anagrama, 2006. Pp. 131 + [5]. 22 x 14 cm. Translated by Jaime Zulaika. ISBN: 8433971018. (Spanish).
The copy pictured is a 2nd printing from “septiembre 2006”.
Notes on this edition: Julian Barnes Postcard featuring a scarecrow with a striking resemblance to the author. The back of the postcard states, “Julian Barnes, 2013 | Installation (wood, cloth, vegetable dye paint) | by Violet du Boulay”.
This example was digitally edited to remove the address of the recipient.
Notes on this edition: Mirando al sol | Starting at the Sun. Barcelona: Anagrama, 1987). Pp. 207 + [1]. 19.8 x 14 cm. Translated by Agustín Tena. ISBN: 8433931113. (Spanish). First Spanish edition in paper covers issued in “octubre 1987”.
Below, the second printing of this edition from “noviembre 1987”.
Notes on this edition: Julian Barnes. Vom Ende einer Geschichte | The Sense of an Ending. Cologne: Kiepenheuer & Witsch, 2012. Pp. 181 [182] + [8]. 20.9 x 13 cm. Translated by Gertraude Krueger. ISBN: 9783462044331. (German).
The photos show two states of the dust jacket, one with promotional and sales stickers.
The book below is a special edition given to the author by his publisher on the publication of the 100,000th copy of The Sense of an Ending in German. Inscribed by his publishers, this is the only extant copy of the “Gold” version. From the author’s personal collection.
Notes on this edition: Julian Barnes. The Pedant in the Kitchen. London: Atlantic Books, 2012. Pp. 136 + [8]. 19.1 x 14.3 cm. ISBN: 9780857896544.
In 2012, Atlantic Books reissued Julian Barnes’s The Pedant in the Kitchen in hardback with newly designed cover art and an introduction by Mark Hix. They retained the artwork by Joe Berger throughout the edition.
Also included in this example is promotional material sent with advance copies of the book.
Notes on this edition: Julian Barnes. Arthur & George. London: Vintage Books, 2006. Pp. 505 + [1]. 19.8 x 13 cm. ISBN: 978099492733.
This first edition Vintage paperback looks very similar to the first trade paperback issued by Jonathan Cape in 2005. The front and back covers share the same art design and text, with subtle changes in price and publisher where necessary. The title and copyright pages distinguish the two editions, as each notes the specific publisher.
Notes on this edition: Julian Barnes. Arthur & George. Cologne: Kiepenheuer & Witsch, 2007. Pp. 524 [525] + [3]. 22 x 14.2 cm. Translated by Gertraude Krueger. ISBN: 9783462037067. (German).
Notes on this edition: First Canadian edition – Toronto: Random House of Canada, 1989. $21.95.
Descriptive Bibliography:
Title Page: A HISTORY | OF THE WORLD | IN 10½ CHAPTERS | JULIAN BARNES | [Knopf device] | ALFRED A. KNOPF New York · Toronto 1989
Copyright Page: Copyright © 1989 by Julian Barnes | All rights reserved under International and | Pan-American Copyright Conventions. | Published in Canada by Random House of Canada | Limited, Toronto, and simultaneously in the | United States by Alfred A. Knopf, Inc., New York. | Originally published in Great Britain | by Jonathan Cape, Ltd., London. | Canadian Cataloguing in Publication Data | Barnes, Julian | A history of the world in 10½ chapters | ISBN 0-394-22121-4 | I. Title. | PR6052.A6657H58 1989 823’.914 C89-094445-8 | A portion of this book was originally published in The New Yorker. | Manufactured in the United States of America | Facing page 124: Géricault, The Raft of the Medusa, 1819. | Louvre Museum, Paris © Réunion des Musées Nationaux.
Collation: 21.2 x 14.4 cm. Untrimmed pages. Pp. [i-xii, 1-2] 3-30 [31-32] 33-58 [59-60] 61-80 [81-82] 83-111 [112-114] 115-139 [140-142] 143-168 [169-170] 171-188 [189-190] 191-220 [221-222] 223-244 [245-246] 247-278 [279-280] 281-307 [308]. [i-iii]: blank. [iv]: ‘ALSO BY JULIAN BARNES | Metroland | Before She Met Me | Flaubert’s Parrot | Staring at the Sun’. [v]: ‘A HISTORY | OF THE WORLD | IN 10½ CHAPTERS’. [vi]: blank. [vii]: title page. [viii]: copyright page. [ix]: ‘to Pat Kavanagh’. [x]: blank. [xi]: contents. [xii]: blank. [1]: ‘I | THE STOWAWAY’. [2]: blank. 3-30: text. [31]: ‘2 | THE VISITORS’. [32]: blank. 33-58: text. [59]: ‘3 | THE WARS OF | RELIGION’. [60]: blank. 61-80: text. [81]: ‘4 | THE SURVIVOR’. [82]: blank. 83-111: text. [112]: blank. [113]: ‘5 | SHIPWRECK’. [114]: blank. 115-139: text. [140]: blank. [141]: ‘6 | THE MOUNTAIN’. [142]: blank. 143-168: text. [169]: ‘7 | THREE SIMPLE | STORIES’. [170]: blank. 171-188: text. [189]: ‘8 | UPSTREAM!’. [190]: blank. 191-220: text. [221]: ‘PARENTHESIS’. [222]: blank. 223-244: text. [245]: ‘9 | PROJECT ARARAT’. [246]: blank. 247-278: text. [279]: ’10 | THE DREAM’. [280]: blank. 281-307: text. [308]: author’s note.
General description: Binding 22 x 15.2 cm. Dark green boards, green quarter binding silver blocked on spine. White endpapers. Géricault image tipped in between pages 124-25. White dust jacket lettered in black (title) and maroon (author) blue (author and quotes on lower panel). Color illustration on upper panel by Tom Sciacca. Photograph of the author by Miriam Berkley located on back flap. Differs from the American edition dust jacket in subtle ways — contains ‘Knopf’ and the Knopf device on spine, but includes ‘Toronto’ on the back flap.
Notes on this edition: First American edition – New York: Alfred A. Knopf, 1989. $18.95.
Descriptive Bibliography:
Title Page: A HISTORY | OF THE WORLD | IN 10½ CHAPTERS | JULIAN BARNES | [Knopf device] | ALFRED A. KNOPF New York 1989
Copyright Page: THIS IS A BORZOI BOOK | PUBLISHED BY ALFRED A. KNOPF, INC. | Copyright © 1989 by Julian Barnes | All rights reserved under International and Pan-American Copyright | Conventions. Published in the United States by Alfred A. Knopf, | Inc., New York. Distributed by Random House, Inc., New York. | Originally published in Great Britain | by Jonathan Cape, Ltd., London. | A portion of this book was originally published in The New Yorker. | Library of Congress Cataloging-in-Publication Data | Barnes, Julian. | A history of the world in 10½ chapters / Julian Barnes. – 1st ed. | p. cm. I ISBN 0-394-58061-3 | I. Title. | PR6052.A6657H5 1989 | 823’.914—dc20 89-45266 CIP | Manufactured in the United States of America | FIRST AMERICAN EDITION | Facing page 124: Géricault, The Raft of the Medusa, 1819. | Louvre Museum, Paris | © Réunion des Musées Nationaux.
Collation: 21.2 x 14.4 cm. Untrimmed pages. Pp. [i-xii, 1-2] 3-30 [31-32] 33-58 [59-60] 61-80 [81-82] 83-111 [112-114] 115-139 [140-142] 143-168 [169-170] 171-188 [189-190] 191-220 [221-222] 223-244 [245-246] 247-278 [279-280] 281-307 [308]. [i-iii]: blank. [iv]: ‘ALSO BY JULIAN BARNES | Metroland | Before She Met Me | Flaubert’s Parrot | Staring at the Sun’. [v]: ‘A HISTORY | OF THE WORLD | IN 10½ CHAPTERS’. [vi]: blank. [vii]: title page. [viii]: copyright page. [ix]: ‘to Pat Kavanagh’. [x]: blank. [xi]: contents. [xii]: blank. [1]: ‘I | THE STOWAWAY’. [2]: blank. 3-30: text. [31]: ‘2 | THE VISITORS’. [32]: blank. 33-58: text. [59]: ‘3 | THE WARS OF | RELIGION’. [60]: blank. 61-80: text. [81]: ‘4 | THE SURVIVOR’. [82]: blank. 83-111: text. [112]: blank. [113]: ‘5 | SHIPWRECK’. [114]: blank. 115-139: text. [140]: blank. [141]: ‘6 | THE MOUNTAIN’. [142]: blank. 143-168: text. [169]: ‘7 | THREE SIMPLE | STORIES’. [170]: blank. 171-188: text. [189]: ‘8 | UPSTREAM!’. [190]: blank. 191-220: text. [221]: ‘PARENTHESIS’. [222]: blank. 223-244: text. [245]: ‘9 | PROJECT ARARAT’. [246]: blank. 247-278: text. [279]: ’10 | THE DREAM’. [280]: blank. 281-307: text. [308]: author’s note.
General description: Binding 22 x 15.2 cm. Dark green boards, green quarter binding silver blocked on spine. Embossed author initials ‘JB’ to front board. White endpapers. Géricault image tipped in between pages 124-25. White dust jacket lettered in black (title) and maroon (author) blue (author and quotes on lower panel). Color illustration on upper panel by Tom Sciacca. Photograph of the author by Miriam Berkley located on back flap.