Notes on this edition: Keeping an Eye Open: Essays on Art. Toronto: Random House Canada, 2015. Pp. 278. ISBN: 9780345815170
The first Canadian edition of Julian Barnes’s Keeping an Eye Open appears nearly identical to the first American edition, except changes to the publisher information on the title page, copyright page, and jacket that identify this edition as a Random House Canada publication.
Pages are cream, not white, as evidenced by the contrast between page color and the publisher’s device on the title page.
Notes on this edition: First edition – London: Jonathan Cape, 2008. £16.99.
Title Page: Nothing to | be Frightened of | [decorative rule] | JULIAN BARNES | [Jonathan Cape device] | JONATHAN CAPE | LONDON
Copyright Page: Published by Jonathan Cape 2008 | 2 4 6 8 10 9 7 5 3 1 | Copyright © Julian Barnes 2008 | Julian Barnes has asserted his right under the Copyright, Designs | and Patents Act 1988 to be identified as the author of this work. | This book is a work of non-fiction based on the life, experiences and | recollections of the author. The author has stated to the publishers that the | contents of this book are true. | This book is sold subject to the condition that it shall not, | by way of trade or otherwise, be lent, resold, hired out, | or otherwise circulated without the publisher’s prior | consent in any form of binding or cover other than that | in which it is published and without a similar condition, | including this condition, being imposed | on the subsequent purchaser. | First published in Great Britain in 2008 by | Jonathan Cape | Random House, 20 Vauxhall Bridge Road, | London SW1V 2SA | www.rbooks.co.uk | Addresses for companies within The Random House Group Limited can be found at: | www.randomhouse.co.uk/offices.htm | The Random House Group Limited Reg. No. 954009 | A CIP catalogue record for this book is available from the British Library | ISBN 9780224085236 | Permissions | ‘Aubade’, ‘Church Going’ and ‘Wants’ from Collected Poems by Philip Larkin | edited by Anthony Thwaite (The Marvell Press & Faber and Faber 2003). | Extracts from Changing Daylight by Eugene O’Kelly (© Eugene O’Kelly 2006) | reproduced by kind permission of McGraw-Hill Companies, Inc. | The Random House Group Limited supports The Forest Stewardship | Council (FSC), the leading international forest certification organization. All our titles | that are printed on Greenpeace-approved FSC-certified paper carry the FSC logo. | Our paper procurement policy can be found at www.rbooks.co.uk/environment | [FSC logo] | Typeset in Adobe Garamond by Palmpsest Book Production Limited, | Grangemouth, Stirlingshire | Printed and bound in Great Britain by | Clays Ltd, St Ives plc
Collation: 21.3 x 13.7 cm. Pp. [i-vi] 1-250. [i]: ‘Nothing to | be Frightened of | [decorative rule]’. [ii]: ‘By the same author | Fiction | METROLAND | BEFORE SHE MET ME | FLAUBERT’S PARROT | STARING AT THE SUN | A HISTORY OF THE WORLD IN 10½ CHAPTERS | TALKING IT OVER | THE PORCUPINE | CROSS CHANNEL | ENGLAND, ENGLAND | LOVE, ETC | THE LEMON TABLE ARTHUR & George | Non-fiction | LETTERS FROM LONDON 1990–1995 | SOMETHING TO DECLARE | THE PEDANT IN THE KITCHEN | Translation | IN THE LAND OF PAIN | by Alphonse Daudet’. [iii]: title page. [iv]: copyright page. [v]: ‘to P.’. [vi]: blank. 1-250: text.
General description: Binding 22.2 x 14.3 cm. Decorative paper boards suggestive of a photo album with title in red lettering and the author’s name in black on the front cover. Deep maroon endpapers. No dust jacket issued.
Notes on this edition: Flauberts Papagei | Flaubert’s Parrot. Zürich: Haffmans Verlag, 1987. Pp. 277 . Translated by Michael Walter. (German).
Cover illustration by Volker Kriegel.
Notes on this edition: The Sense of an Ending. Norwalk, CT: Easton Press, 2015. Pp. 163.
Leather bound, “Signed Collector’s Edition” published by Easton Press by arrangement with Alfred A. Knopf. Text edges in gilt gold with inserted author biography and a certificate of authenticity. The specific limitation is not stated in the book, but Barnes believes he signed 2,000 copies.
Notes on this edition: Arthur & George. New York: Alfred A. Knopf, 2006. Book club edition.
The hardback book club edition of Julian Barnes’s Arthur & George looks very similar to the First American Edition, but the book club edition is considerably smaller, has no price indicated on the inside front flap, has a smooth/cut fore edge, and features a book club number on the back cover near the altered, white ISBN box (comparison images included). Other small differences are not noted here.
Notes on this edition: Arthur & George. New York: Alfred A. Knopf, 2006. Pp. 385. 25 cm. ISBN: 030726310x. $24.95.
First American edition of Julian Barnes’s novel Arthur & George. Jacket design by Peter Mendelsund and Carol Devine Carson. The fore edge of the text block is rough cut with a “deckle edge”.
This copy signed on Feburary 11, 2006, during his U.S. promotional tour.
Notes on this edition: Arthur & George. Waterville, ME: Thorndike Press, 2006. Pp. 784. 23 cm. Large Print edition. ISBN: 0786286652
The title page lists the publishers as: “THORNDIKE | WINDSOR | PARAGON”, and the copyright page lists the following ISBNs, suggesting the same text block was used for each edition:
U.S. Hardcover: 0-7862-8665-2 (Basic)
U.K. Hardcover 10: 1 4056 1458 7 (Windsor Large Print)
U.K. Hardcover 13: 978 1 405 61458 0
U.K. Softcover 10: 1 4056 1459 5 (Paragon Large Print)
U.K. Softcover 13: 978 1 405 61459 7
Bottom of back cover states: “Thorndike Press and Chivers Large Print“.
Notes on this edition: Arthur & George. Prague: Odeon, 2007. Pp. 473. 21 cm. Translated by Zora Wolfová. ISBN: 9788020712431. (Czech).
Notes on this edition: Arthur & George. Toronto: Random House Canada, 2005. Pp. 360. 25 cm. ISBN: 0679314172
First Canadian hardback edition with “deckled” fore edge.
Notes on this edition: The Noise of Time. Waterville, Maine: Thorndike Press, 2016. Pp. 269. 23 cm. ISBN: 9781410490193
Large Print edition published by Thorndike Press, a part of Gale, Cengage Learning.