Duffy (Jonathan Cape, 1980)


Notes on this edition: First edition – London: Jonathan Cape, 1980. £4.95. Print run: 4000.

Julian Barnes’s first book publication under the pseudonym Dan Kavanagh. Published the same year as Barnes’s first literary novel Metroland (1980).

Descriptive Bibliography:

Title Page: Duffy | Dan Kavanagh | [Jonathan Cape device] | JONATHAN CAPE | THIRTY BEDFORD SQUARE LONDON

Copyright Page: First published 1980 | Copyright © by Dan Kavanagh 1980 | Jonathan Cape Ltd, 30 Bedford Square, London WC1 | British Library Cataloguing in Publication Data | Kavanagh, Dan | Duffy | I. Title | 823’.9’1F  PR6061.A89/ | ISBN 0 224 01822 1 | Printed in Great Britain by | Lowe & Brydone Printers Ltd, Thetford, Norfolk

Collation: 19.7 x 12.8 cm. Pp. [i-iv, 1-6] 7-180 [181-188]. [i]: pasted to board. [ii-iv]: blank. [1]: ‘Duffy’. [2]: blank. [3]: title page. [4]: copyright page. [5]: ‘To Pat Kavanagh’. [6]: blank. 7-180: text. [181]: text. [182-187]: blank. [188]: pasted to board.

General description: Binding 20.5 x 13.5 cm. Black boards, gold blocked on spine. No endpapers (outer leaves pasted down). Black dust jacket lettered in pink, yellow and white, with a color drawing of a woman’s foot in a pink high-heel shoe.  No author photograph.

Duffy (Pantheon Books, 1986)


Notes on this edition: Duffy. New York: Pantheon Books, 1986. $3.95. First American edition in paper covers.

Descriptive Bibliography:

Title Page: Duffy | Dan Kavanagh | [Pantheon ornament] | PANTHEON BOOKS | NEW YORK

Copyright Page: Copyright © 1980 by Dan Kavanagh. | All rights reserved under International and Pan-American Copyright | Conventions. Published in the United States by Pantheon Books, a divi- | sion of Random House, Inc., New York. Hardcover edition originally | published in Great Britain by Jonathan Cape Ltd., London, in 1980. | Manufactured in the United States of America | First Pantheon Paperback Edition

Collation: 17.5 x 10.5 cm. Pp. [i-ii, 1-6] 7-180 [181-190]. [i-ii]: blank. [1]: ‘Duffy’. [2]: ‘BY THE SAME AUTHOR | Fiddle City’. [3]: title page. [4]: copyright page. [5]: ‘To Pat Kavanagh’. [6]: blank. 7-180: text. [181]: text. [182]: blank. [183]: ‘ABOUT THE AUTHOR | DAN KAVANAGH was born in County Sligo in 1946. | Having devoted his adolescence to truancy, venery | and petty theft, he left home at seventeen and | signed on as a deckhand on a Liberian tanker. After | jumping ship at Montevideo, he roamed across the | Americas taking a variety of jobs: he was a steer- | wrestler, a waiter-on-roller-skates at a drive-in eat- | ery in Tucson, and a bouncer in a gay bar in San | Francisco. He is currently working in London at | jobs he declines to specify, and lives in North | Islington. He is also the author of Fiddle City.’. [184]: blank. [185-187]: advertisements. [188-190]: blank.

General description: Binding 17.5 x 10.5 cm. Paperbound in white.  Lettered in pink (title) and white (author), with cover design by Louise Fili.  No hardback edition was published in the U.S., which makes this paperback release the first true American edition.

The Pedant in the Kitchen (Atlantic Books, 2003)


Notes on this edition: First editionLondon: Atlantic Books, 2003. £9.99. Print run: 15,000.

Descriptive Bibliography: 

Title Page: IN THE KITCHEN | JULIAN BARNES | [Atlantic device] | Atlantic Books | London | TheGuardian

Copyright Page: www.julianbarnes.com | First published in Great Britain in 2003 by Atlantic Books, | on behalf of Guardian Newspapers Ltd. | Atlantic Books is an imprint of Grove Atlantic Ltd. | Copyright © Julian Barnes 2003 | The moral right of Julian Barnes to be identified as the author | of this work has been asserted in accordance with the Copyright, | Designs and Patents Act of 1988. | The Guardian is a registered trademark of the Guardian Media Group Plc. | Guardian Books is an imprint of Guardian Newspapers Ltd. | All rights reserved. N part of this publication may be reproduced, | stored in a retrieval system, or transmitted in any form or by any | means, electronic, mechanical, photocopying, recording, or otherwise, | without the prior permission of both the copyright owner and the | above publisher of this book. | 10 9 8 7 6 5 4 3 2 1 | A CIP record for this book is available from the British Library | ISBN 1 84354 239 0 | Designed by Richard Marston | Illustrations by Joe Berger | Printed in Great Britain by CPI Glasgow | Grove Atlantic Ltd | Ormond House | 26—27 Boswell Street | London | WC1N 3JZ

Collation: 17.8 x 12.8 cm. Pp. [i-viii] 1-4 [5] 6-9 [10] 11-19 [20] 21-26 [27] 28-36 [37] 38-41 [42] 43-52 [53] 54-57 [58] 59-63 [64] 65-71 [72] 73-82 [83] 84-91 [92] 93-101 [102] 103-106 [107] 108-113 [114] 115-122 [123] 124-127 [128] 129-136. [i]: ‘THE PEDANT IN THE KITCHEN’. [ii]: ‘THE PEDANT’. [iii]: title page. [iv]: copyright page. [v]: ‘to She For Whom’. [vi-vii]: contents. [viii]: blank. 1-4: text. [5]: illustration. 6-9: text. [10]: illustration. 11-19: text. [20]: illustration. 21-26: text. [27]: illustration. 28-36: text. [37]: illustration. 38-41: text. [42]: illustration. 43-52: text. [53]: illustration. 54-57: text. [58]: illustration. 59-63: text. [64]: illustration. 65-71: text. [72]: illustration. 73-82: text. [83]: illustration. 84-91: text. [92]: illustration. 93-101: text. [102]: illustration. 103-106: text. [107]: illustration. 108-113: text. [114]: illustration. 115-122: text. [123]: illustration. 124-127: text. [128]: illustration. 129-136: text.

General description: Binding 18.5 x 13.7 cm. Black boards, silver blocked on spine. Red endpapers. Deep yellow dust jacket lettered in burgundy and black. Upper panel features a color illustration on of a metal spoon reflecting the image of the pedant who is holding a book in front of his face. Lower panel features a color illustration of a wooden spoon. Jacket design and illustrations by Joe Berger. Author photograph by Jillian Edelstein on back flap.

 

The Times Anthology of Ghost Stories (Jonathan Cape, 1975)


Notes on this edition: Julian Barnes. “A Self-Possessed Woman.” The Times Anthology of Ghost Stories. London: Jonathan Cape, 1975. 132-149.

From a competition judged by Kingsley Amis, Patricia Highsmith and Christopher Lee. The Times sponsored the competition in conjunction with Jonathan Cape.

This constitutes Julian Barnes’s first book publication, as it was published five years before his first novel Metroland (Jonathan Cape, 1980). The book was published in hardback with dark green dust jacket. The top of the text block is stained yellow.

This edition was followed by a paperback edition (Corgi Books, 1977) and a German translation (Bastei Lübbe, 1979), also in paperback.

The Noise of Time (Random House Canada, 2016)


Notes on this edition: First edition – Toronto: Random House Canada, 2016. $29.99. Visually, this edition resembles the first U.S. edition published by Alfred A. Knopf. 

Descriptive Bibliography:

Title Page: THE NOISE OF TIME | Julian Barnes | [Random House Canada device] | RANDOM HOUSE CANADA

Copyright Page: PUBLISHED BY RANDOM HOUSE CANADA | Copyright © 2016 Julian Barnes | All rights reserved under International and Pan-American Copyright Conventions. | No part of this book may be reproduced in any form or by any electronic or mechanical | means, including information storage and retrieval systems, without permission in writ- | ing from the publisher, except by a reviewer, who may quote brief passages in a review. | Published in 2016 by Random House Canada, a division of Penguin Random House | Canada Limited, and simultaneously in the United States by Alfred A. Knopf, a division | of Penguin Random House LLC, New York. Distributed in Canada by Penguin Random | House Canada Limited, Toronto. | www.penguinrandomhouse.ca | Random House Canada and colophon are registered trademarks. | Grateful acknowledgment is made to Marion Boyars Publishers for permission | to reprint an excerpt of “A Career” from Early Poems by Yevgeny Yevtushenko, | translated by George Reavey. Reprinted by permission of Marion Boyars Publishers. | Library and Archives Canada Cataloguing in Publication | Barnes, Julian, author | The noise of time / Julian Barnes. | Issued in print and electronic formats. | ISBN 978-0-345-81657-3 | eBook ISBN 978-0-345-81659-7 | I. Shostakovich, Dmitriˇi Dmitrievich, 19061975—Fiction. | I. Title. | PR6052.A6657N65 2016     823’.914     C2015-908533-0 | Jacket image: Dmitri Shostakovich by Iosiph Alexandrovich Serebryany. | State Tretyakov Gallery, Moscow. © culture-images / Lebrecht | Jacket design by Carol Devine Carson | Printed and bound in the United States of America | 10 9 8 7 6 5 4 3 2 1 | [Random House Canada device]

Collation: 18.9 x 13.0 cm. Pp. [-ii-ix] x-xi [xii] [1-3] 4-60 [61-63] 64-120 [121-123] 124-197 [198-199] 200-201 [202-210]. [-i]: blank. [-ii]: ‘ALSO BY JULIAN BARNES | FICTION | Metroland | Before She Met Me | Flaubert’s Parrot | Staring at the Sun | A History of the World in 10½ Chapters | Talking It Over | The Porcupine | Cross Channel | England, England | Love, Etc. | The Lemon Table | Arthur & George | Pulse | The Sense of an Ending | NON-FICTION | Letters from London 1990–1995 | Something to Declare | The Pedant in the Kitchen | Nothing to Be Frightened Of | Levels of Life | Keeping an Eye Open: Essays on Art | TRANSLATION | In the Land of Pain by Alphonse Daudet’.[i]: ‘THE NOISE OF TIME’. [ii]: blank. [iii]: title page. [iv]: copyright page. [v]: ‘for Pat’. [vi]: blank. [vii]: ‘One to hear | One to remember | And one to drink. | traditional’. [viii]: blank. [ix]-xi: text. [xii]: blank. [1]: ‘[ ONE ] | On the Landing. [2]: blank. [3]-60: text. [61]: ‘[ TWO ] | On the Plane’. [62]: blank. [63]-120: text. [121]: ‘[ THREE ] | In the Car’. [122]: blank. [123]-197: text. [198]: blank. [199]-201: [‘Author’s note’]. [202]: blank. [203]: [‘A NOTE ABOUT THE AUTHOR’]. [204]: blank. [205]: [‘A NOTE ON THE TYPE’]. [206-210]: blank.

General description: Binding 19.7 x 14.0 cm. Light grey, smooth paper boards with light green quarter-paper at spine stamped in gold. White endpapers. Jacket design by Carol Devine Carson. Back flap of dust jacket features an author photograph by Alan Edwards.

Keeping an Eye Open (Jonathan Cape, 2015)


Notes on this edition: Jonathan Cape published Julian Barnes’s collection of art essays Keeping an Eye Open in 2015. On the “Acknowledgements” page, Barnes states (in part), “This book owes its existence to the encouragement of my friend and Danish publisher Claus Clausen. When he first suggested bringing out a collection of my art essays, I thought he was joking; when he repeated the offer, I thought he was still just being polite. He convinced me otherwise, and twelve of these pieces appeared as Som jeg ser dat (Tiderne Skifter, 2011).”

Descriptive Bibliography: First edition – London: Jonathan Cape, 2015. £16.99. Paper cover with French flaps.

Title Page: KEEPING AN EYE OPEN | ESSAYS ON ART | Julian Barnes | [Jonathan Cape device] | JONATHAN CAPE | LONDON

Copyright Page: Published by Jonathan Cape 2015 | 2 4 6 8 10 9 7 5 3 1 | Copyright © Julian Barnes 2015 | Julian Barnes has asserted his right under the | Copyright, Designs and Patents Act 1988 | to be identified as the author of this work. | This book is sold subject to the condition that it shall not, | by way of trade or otherwise, be lent, resold, hired out, | or otherwise circulated without the publisher’s prior consent in | any form of binding or cover other than that in which it is | published and without a similar condition, including this | condition, being imposed on the subsequent purchaser | First published in Great Britain in 2015 by | Jonathan Cape | 20 Vauxhall Bridge Road, | London SW1V 2SA | www.vintage-books.co.uk | global.penguinrandomhouse.com | A CIP catalogue record for this book is | available from the British Library | ISBN 9780224102018 | The Random House Group Limited supports The Forest | Stewardship Council (FSC®), the leading international forest | certification organisation. Our books carrying the FSC label are printed | on FSC® certified paper. FSC is the only forest certification scheme | endorsed by the leading environmental organisations, including | Greenpeace. Our paper procurement policy can be found at: | www.randomhouse.co.uk/environment | Printed and bound in China by C&C Offset Printing Co., Ltd

Collation: 23.4 x 15.2 cm. Pp. [i-viii] 1-2 [3] 4-24 [25] 26-28 [29] 30 [31] 32-44 [45] 46-50 [51] 52-54 [55] 56 [57] 58-59 [60] 61-62 [63] 64-70 [71] 72-77 [78] 79-83 [84] 85 [86] 87-90 [91] 92-95 [96] 97-100 [101] 102-103 [104] 105-108 [109] 110 [111] 112-116 [117] 118 [119] 120 [121] 122-126 [127] 128-130 [131] 132-133 [134] 135-139 [140] 141-142 [143] 144-149 [150] 151-153 [154] 155-157 [158] 159-161 [162] 163-173 [174] 175-178 [179] 180-181 [182] 183-187 [188] 189-193 [194] 195-204 [205] 206-210 [211] 212 [213] 214-217 [218] 219-220 [221] 222-227 [228-229] 230 [231] 232 [233] 234-237 [238] 239-245 [246] 247 [248] 249-256 [257] 258-262 [263] 264 [265] 266-268 [269] 270-276 [277-280]. [i]: ‘KEEPING AN EYE OPEN’. [ii]: ‘By the same author | FICTION | Metroland | Before She Met Me | Flaubert’s Parrot | Staring at the Sun | A History of the World in 10½ Chapters | Talking it Over | The Porcupine | Cross Channel | England, England | Love, etc | The Lemon Table | Arthur & George | Pulse | The Sense of an Ending | NON-FICTION | Letters from London 1990–1995 | Something to Declare | The Pedant in The Kitchen | Nothing to be Frightened of | Through the Window | Levels of Life | TRANSLATION | In The Land Of Pain | by Alphonse Daudet’. [iii]: title page. [iv]: copyright page. [v-vi]: [Table of Contents]. [vii] ‘FOR PAT’. [vi]. [viii]: blank. 1-2: text. [3]: [image with caption: ‘Quimperlé (Finistère): Le Pont fleuri’]. 4-24: text. [25]: [image with caption: ‘Scene of Cannibalism on the Raft of the Medusa by Géricault’]. 26-28: text. [29]: [image with caption: ‘The Raft of the Medusa by Géricult | Detail showing men waving at the ship’]. 30: text. [31]: [image with caption: ‘The Raft of the Medusa by Géricault | Detail of the man with the grey beard’]. 32-44: text. [45]: [image with caption: ‘The Raft of the Medusa by Géricault | Detail showing prone figure modelled by Delacroix’’]. 46-50: text. [51]: [image with caption: ‘Homage to Delacroix by Fantin-Latour | Detail showing, from left, Whistler, the novelist Champfleury, Manet’]. 52-54: text. [55]: [image with caption: ‘An unmade Bed by Delacroix’]. 56: text. [57]: [image with caption: ‘The Mediterranean by Courbet’]. 58-59: text. [60]: [image with caption: ‘The Meeting (detail) by Courbet’]. 61-62: text. [63]: [image with caption: ‘The Artist’s Studio (detail) by Courbet’]. 64-70: text. [71]: [image with caption: ‘A Studio at Les Batignolles by Fantin-Latour | Detail showing Manet (at easel), Renoir (in the picture frame), and Monet (far right)’]. 72-77: text. [78]: [image with caption: ‘The Bouquet of Lilacs by Manet’]. 79-8: text.3 [84]: [image with caption: ‘The Execution of Maximilian (detail) by Manet’]. 85: text. [86]: [image with caption: ‘The Execution of Maximilian by Manet | Detail of the NCO cocking his rifle from the painting in London (left) | and the version in Mannheim (right)’]. 87-90: text. [91]: [image with caption: ‘A Corner of the Table by Fantin-Latour | Detail showing (from left) Verlaine, Rimbaud and Léon Valade’]. 92-95: text. [96]: [image with caption: ‘Homage to Delacroix by Fantin-Latour | Detail showing Fantin-Latour’]. 97-100: text. [101]: [image with caption: ‘The Dubourg Family by Fantin-Latour’]. 102-103: text. [104]: [image with caption: ‘Homage to Cézanne by Denis | Detail showing (from left) the painters Redon and Vuillard, | and the art critic André Mellario’]. 105-108: text. [109]: [image with caption: ‘The Card Players by Cézanne’]. 110: text. [111]: [image with caption: ‘Madame Cézanne in a Red Armchair by Cézanne’]. 112-116: text. [117]: [image with caption: ‘Apotheosis of Degas by Edgar Degas and Walter Barnes’]. 118: text. [119]: [image with caption: ‘Combing the Hair by Degas’]. 120: text. [121]: [image with caption: ‘The Dance Lesson (detail) by Degas’]. 122-126: text. [127]: [image with caption: ‘Madame Camille Redon Reading by Redon’]. 128-130: text. [131]: [image with caption: ‘Chimera (Fantastic Monster) by Redon’]. 132-133: text. [134]: [image with caption: ‘The Cyclops by Redon’]. 135-139: text. [140]: [image with caption: ‘The Anabaptists: Pierre Bonnard by Vuillard’]. 141-142: text. [143]: [image with caption: ‘Nude in the Bath by Bonnard’]. 144-149: text. [150]: [image with caption: ‘A Corner of the Table by Bonnard’]. 151-153: text. [154]: [image with caption: ‘Woman Sweeping by Vuillard’]. 155-157: text. [158]: [image with caption: ‘The Nape of Misia’s Neck by Vuillard’]. 159-161: text. [162]: [image with caption: ‘The Chat by Vuillard’]. 163-173: text. [174]: [image with caption: ‘The Lie by Vallotton’]. 175-178: text. [179]: [image with caption: ‘The Five Painters by Vallotton | Detail showing Vallotton (standing), Bonnard (left) and Vuillard’]. 180-181: text. [182]: [image with caption: ‘Money by Vallotton’]. 183-187: text. [188]: [image with caption: ‘The Pond (Honfleur) by Vallotton’]. 189-193: text. [194]: [image with caption: ‘Les usines de Rio Tinto à l’Etaque by Braque’]. 195-204: text. [205]: [image with caption: ‘George Braque, artist, and his wife Augustine, Paris, 27th January, 1959 | by Richard Avedon’]. 206-210: text. [211]: [image with caption: ‘Les Affinités Electives by Magritte’]. 212: text. [213]: [image with caption: ‘La Clairvoyance by Magritte’]. 214-217: text. [218]: [image with caption: ‘Proposed Colossal Monument for Central Park North, N.Y.C. – Teddy Bear | by Oldenburg’]. 219-220: text. [221]: [image with caption: ‘Giant Soft Fan by Oldenburg’]. 222-227: text. [228]: [image with caption: ‘Dead Dad by Mueck’]. [229]: [image with caption: ‘Vénus ataxique by Richer’].230: text. [231]: [image with caption: ‘The Head of an Englishman’]. 232: text. [233]: [image with caption: ‘The Hand of a Giant from Barnum’s Circus’]. 234-237: text. [238]: [image with caption: ‘Artist in his Studio by Rembrandt’]. 239-245: text. [246]: [image with caption: ‘Hotel Bedroom by Freud | Detail showing Caroline Blackwood’]. 247: text. [248]: [image with caption: ‘The Painter Surprised by a Naked Admirer (detail) by Freud’]. 249-256: text. [257]: [image with caption: ‘Two Japanese Wrestlers by a Sink by Freud’]. 258-262: text. [263]: [image with caption: ‘Alpine Snow by Hodgkin’]. 264: text. [265]: [image with caption: ‘After Degas by Hodgkin’]. 266-268: text. [269]: [image with caption: ‘Lovers by Hodgkin’]. 270-276: text. [277-280]: [blank].

General description: Paper covers designed by Suzanne Dean using various artworks. Cover: Alpine Snow by Howard Hodgkin; Front Flap: The Dance Lesson by Edgar Degas; Spine: The Artist’s Studio by Gustave Courbet; Back Cover: The Lie by Félix Vallotton; Back Flap: The Execution of Maximilian by Édouard Manet. Inside of the front and back of the paper cover features an image of paint brushes, as shown. Back flap of dust jacket features an author photograph by Alan Edwards.

Fiddle City (Pantheon Books, 1986)


Notes on this edition: First American edition New York: Pantheon Books, 1986. Pp. 173. 18 cm. ISBN: 0394744411. $3.95.

Julian Barnes’s second novel written under the pseudonym of “Dan Kavanagh” was never published in hardback in the U.S., thus making the Pantheon Books edition the first American edition.

Descriptive Bibliography:

Title Page: FIDDLE CITY | [decorative line] | Dan Kavanagh | [Pantheon device] | PANTHEON BOOKS | NEW YORK

Copyright Page: Copyright © 1981 by Dan Kavanagh. | All rights reserved under International and Pan-American Copyright | Conventions. Published in the United States by Pantheon Books, a divi- | sion of Random House, Inc., New York. Hardcover edition originally | published in Great Britain by Jonathan Cape Ltd., London, in 1981. | Manufactured in the United States of America | First Pantheon Paperback Edition

Collation: 17.5 x 10.5 cm. Pp. [1-6] 7-173 [174-176]. [1]: ‘FIDDLE CITY’. [2]: ‘BY THE SAME AUTHOR | Duffy’. [3]: title page. [4]: copyright page. [5]: ‘To Craig and Li’. [6]: blank. 7-173: text. [174]: ‘Dan Kavanagh was born in County Sligo in 1946. | After an uncompromising adolescence, at nineteen | he became assistant entertainments officer on a Jap- | anese supertanker and traveled the world. He has | been a pianist in a waterfront bar in Macao, a bag- | gage handler at San Francisco Airport, and has | flown light planes on the Colombian cocaine route. | He is currently working in London at jobs he de- | clines to specify, and lives in North Islington. He is | also the author of Duffy.’. [175-176]: advertisements.

General description: Binding 17.5 x 10.5 cm. Paperbound in white.  Lettered in light blue (title) and white (author), with cover design by Louise Fili. 

The Noise of Time | Jacket Printing Error (Jonathan Cape, 2016)


Notes on this edition: A small number of copies of the first U.K. edition of Julian Barnes’s The Noise of Time were distributed with a printing error on the dust jacket. The red lettering is missing for the author’s name on the front and spine and the blurbs to the back of the jacket. The letters impressed upon the jacket, which created an embossed effect (as shown in the photos), but the ink failed to apply.

In addition to the copy featured here, the author was made aware of two additional copies with this error. The exact number of copies with this printing error is unknown.

The Noise of Time (Jonathan Cape, 2016)


Notes on this edition: The first English language edition of Julian Barnes’s The Noise of Time was preceded in publication by the Dutch and Georgian translations. A very small quantity of dust jackets for the first edition were published with a printing error in which the red lettering was not applied (see example).

Descriptive Bibliography: First edition – London: Jonathan Cape, 2016. £14.99. ISBN: 9781910702604

Title Page: JULIAN BARNES | THE NOISE | OF TIME | [Jonathan Cape device] | JONATHAN CAPE | LONDON

Copyright Page: 1 3 5 7 9 20 8 6 4 2 | Jonathan Cape, an imprint of Vintage Publishing, | 20 Vauxhall Bridge Road, | London SW1V 2SA | Jonathan Cape is part of the Penguin Random House | group of companies whose addresses can be found at | global.penguinrandomhouse.com. | [Penguin Random House UK device] | Copyright © Julian Barnes 2016 | Julian Barnes has asserted his right to be identified as the | author of this Work in accordance with the Copyright, | Designs and Patents Act 1988. | First published by Jonathan Cape in 2016 | www.vintage-books.co.uk | A CIP catalogue record for this book | is available from the British Library | ISBN: 9781910702604 | Typeset by Palimpsest Book Production Ltd, Falkirk, Stirlingshire | Printed and bound by Clays Ltd, St Ives plc | Penguin Random House is committed to a sustainable | future for our business, our readers and our planet. This book is | made from Forest Stewardship Council® certified paper. | [FSC® logo]

Collation: 19.7 x 12.8 cm. Pp. [i-viii] 1-3 [4-6] 7-58 [59-60] 61-111 [112-114] 115-179 [180-182] 183 [184]. [i]: ‘THE NOISE OF TIME’. [ii]: ‘Also by Julian Barnes | FICTION | Metroland | Before She Met Me | Flaubert’s Parrot | Staring at the Sun | A History of the World in 10½ Chapters | Talking it Over | The Porcupine | Cross Channel | England, England | Love, etc | The Lemon Table | Arthur & George | Pulse | The Sense of an Ending | NON-FICTION | Letters from London 1990–1995 | Something to Declare | The Pedant in the Kitchen | Nothing to Be Frightened Of | Through the Window | Levels of Life | Keeping an Eye Open | TRANSLATION | In the Land of Pain | by Alphonse Daudet’. [iii]: title page. [iv]: copyright page. [v]: ‘for Pat’. [vi]: blank. [vii]: ‘One to hear | One to remember | And one to drink. | traditional’. [viii]: blank. 1-3: text. [4]: blank. [5]: ‘1: On the Landing’. [6]: blank. 7-58: text. [59]: ‘2: On the Plane’. [60]: blank. 61-111: text. [112]: blank. [113]: ‘3: In the Car’. [114]: blank. 115-[180]: text. [181-182]: blank. 183-[184]: [‘Author’s note’].

General description: Binding 20.5 x 13.5 cm. Black cloth boards stamped in red lettering to spine. Black endpapers. Cover design by Suzanne Dean with an illustration by Vladimir Zimokov. Back flap of dust jacket features an author photograph by Alan Edwards.

Keeping an Eye Open (Random House Canada, 2015)


Notes on this edition: Keeping an Eye Open: Essays on Art. Toronto: Random House Canada, 2015. Pp. 278. ISBN: 9780345815170

The first Canadian edition of Julian Barnes’s Keeping an Eye Open appears nearly identical to the first American edition, except changes to the publisher information on the title page, copyright page, and jacket that identify this edition as a Random House Canada publication.

Pages are cream, not white, as evidenced by the contrast between page color and the publisher’s device on the title page.