Hardback – Page 36 – Julian Barnes Bibliography

The Lemon Table (Jonathan Cape, 2004)

Notes on this edition: First edition – London: Jonathan Cape, 2004. £16.99.

Descriptive Bibliography:

Copyright Page: Published by Jonathan Cape 2004 | 2 4 6 8 10 9 7 5 3 1 | Copyright © Julian Barnes 2004 | Julian Barnes has asserted his right under the Copyright, | Designs and Patents Act 1988 to be identified as the author of this work | This book is sold subject to the condition that it shall not, by way of | trade or otherwise, be lent, resold, hired out, or otherwise circulated without the | publisher’s prior consent in any form of binding or cover other than that in | which it is published and without a similar condition including this | condition being imposed on the subsequent purchaser | First published in Great Britain in 2004 by | Jonathan Cape | Random House, 20 Vauxhall Bridge Road, | London SW1V 2SA | Random House Australia (Pty) Limited | 20 Alfred Street, Milsons Point, Sydney, | New South Wales 2061, Australia | Random House New Zealand Limited | 18 Poland Road, Glenfield, | Auckland 10, New Zealand | Random House South Africa (Pty) Limited | Endulini, 5A Jubilee Road, Parktown 2193, South Africa | The Random House Group Limited Reg. No. 954009 | A CIP catalogue record for this book is available from the British Library | ISBN 0-224-07198-X | Papers used by Random House are natural, recyclable products made from | wood grown in sustainable forests; the manufacturing processes conform | to the environmental regulations of the country of origin | Typeset by Palimpsest Book Production Limited | Polmont, Stirlingshire | Printed and bound in Great Britain by | Mackays of Chatham plc, Chatham, Kent

Collation: 21.6 x 13.7 cm. Pp. [i-viii, 1-2] 3-22 [23-24] 25-48 [49-50] 51-65 [66-68] 69-83 [84-86] 87-101 [102-104] 105-120 [121-122] 123-136 [137-138] 139-158 [159-160] 161-173 [174-176] 177-199 [200-202] 203-213 [214-216]. [i]: ‘THE LEMON TABLE’. [ii]: ‘by the same author | fiction | METROLAND | BEFORE SHE MET ME | FLAUBERT’S PARROT | STARING AT THE SUN | A HISTORY OF THE WORLD IN 10½ CHAPTERS | TALKING IT OVER | THE PORCUPINE | CROSS CHANNEL | ENGLAND, ENGLAND | LOVE, ETC | non-fiction | LETTERS FROM LONDON 1990–1995 | SOMETHING TO DECLARE | THE PEDANT IN THE KITCHEN | translation | IN THE LAND OF PAIN by Alphonse Daudet’. [iii]: title page. [iv]: copyright page. [v]: ‘to Pat’. [vi]: blank. [vii]: contents. [vi]: blank. [1]: ‘A | SHORT HISTORY | OF | HAIRDRESSING’. [2]: blank. 3-22: text. [23]: ‘THE STORY | OF | MATS ISRAELSON’. [24]: blank. 25-48: text. [49]: ‘THE THINGS YOU KNOW’. [50]: blank. 51-65: text. [66]: blank. [67]: ‘HYGIENE’. [68]: blank. 69-83: text. [84]: blank. [85]: ‘THE REVIVAL’. [86]: blank. 87-101: text. [102]: blank. [103]: ‘VIGILANCE’. [104]: blank. 105-120: text. [121]: ‘BARK’. [122]: blank. 123-136: text. [137]: ‘KNOWING FRENCH’. [138]: blank. 139-158: text. [159]: ‘APPETITE’. [160]: blank. 161-173: text. [174]: blank. [175]: ‘THE FRUIT CAGE’. [176]: blank. 177-199: text. [200]: blank. [201]: ‘THE SILENCE’. [202]: blank. 203-213: text. [214-216]: blank.

General description: Binding 22.3 x 14.5 cm. Brown boards, gold blocked on spine. Gold endpapers. Colored dust jacket lettered in white, deep yellow, and orange. Features ‘Lemon (no.2)’ by Neal Brown on both upper and lower panels. Flaps are white with black lettering. Author photograph by Jillian Edelstein on back flap.

Something to Declare (Alfred A. Knopf, 2002)

Notes on this edition: First American edition – New York: Alfred A. Knopf, 2002. $25.00. Barnes has dedicated the book to his parents using their initials: ‘A. L. B. | 1909-1992 | K. M. B. | 1915-1997’. The back cover of the book features an embossed publisher’s device near the bottom edge, as pictured.

Descriptive Bibliography:

Title Page: JULIAN BARNES | Something to Declare | Essays on France | [Knopf device] | Alfred A. Knopf New York 2002

Collation: 21.1 x 14.2 cm. Untrimmed pages. Pp. [–i-–ii, i-xii] xiii-xix [xx; 1-4] 5-13 [14-18] 19-29 [30-34] 35-41 [42-46] 47-55 [56-60] 61-69 [70-74] 75-89 [90-94] 95-99 [100-104] 105-133 [134-138] 139-157 [158-162] 163-177 [178-182] 183-193 [194-198] 199 [200-204] 205-217 [218-222] 223-231 [232-236] 237-247 [248-252] 253-265 [266-270] 271-279 [280-284] 285-295 [296-298] [Note: no even page numbers were printed]. [–ii]: blank. [–i]: ‘ALSO BY JULIAN BARNES | England, England | Cross Channel | Letters from London | The Porcupine | Talking It Over | A History of the World in 10½ Chapters | Staring at the Sun | Flaubert’s Parrot | Before She Met Me | Metroland | Love, etc.’. [i]: ‘Something to Declare’. [ii]: blank. [iii]: title page. [iv]: copyright page. [v]: ‘A. L. B. | 1909–1992 | K. M. B. | 1915–1997’. [vi]: blank. [vii-viii]: contents. [ix]: list of illustrations. [x]: blank. [xi]-xix: preface. [xx]: blank. [1]: ‘( 1 ) | An Englishman Abroad’. [2]: ‘[photo] | A typical Ultimate Peasant’. [3-14]: text. [15]: ‘( 2 ) | Spending Their Deaths | on Holiday’. [16]: ‘[photo] | Three beers, one ashtray, three singers: (l. to r.) | Jacques Brel, Léo Ferré, George Brassens’. [17-30]: text. [31]: ‘( 3 ) | The Promises of Their | Ordination’. [32]: ‘[photo] | Jean Seberg kisses Jean-Paul Belmondo | to advertise A bout de souffle’. [33-42]: text. [43]: ‘( 4 ) | The Land Without Brussels Sprouts’. [44]: ‘[recipe for tomato soup] | A simple recipe’. [45]-55: text. [56]: blank. [57]: ‘( 5 ) | Tour de France 1907’. [58]: ‘[photo] | The Pont du Gard: “a little stupid,” | according to Henry James’. [59-70]: text. [71]: ‘( 6 ) | Tour de France 2000’. [72]: ‘[photo] | “To the memory of Tom Simpson, Olympic medallist, | World champion, British sporting ambassador, | died 13th July (Tour de France 1967)”’. [73]-89: text. [90]: blank. [91]: ‘( 7 ) | The Pouncer’. [92]: ‘[photo] | George Simenon with all his needs | (the maid is off camera), 1930s’. [93-100]: text. [101]: ‘( 8 ) | French Letters’. [102]: ‘[photo] | Not an Ultimate Peasant but a | sophisticated poet: Stéphane Mallarmé’. [103]-133: text. [134]: blank. [135]: ‘( 9 ) | Flaubert’s Death-Masks’. [136]: ‘[photo] | Flaubert’s death-mask’. [137]-157: text. [158]: blank. [159]: ‘( 10 ) | Not Drowning But Waving: | The Case of Louise Colet’. [160]: ‘[photo] | Louise Colet in riding costume, | by Courbet’. [161-178]: text. [179]: ‘( 11 ) | Drinking Ink’. [180]: ‘[photo] | Alphonse Karr in his garden at Saint-Raphaël’. [181]-193: text. [194]: blank. [195]: ‘( 12 ) | Two Moles’. [196]: ‘[photo] | Turgenev at forty: the age of renunciation’. [197-200]: text. [201]: ‘( 13 ) | Consolation v. Desolation’. [202]: ‘[photo] | George Sand, by Nadar’. [203-218]: text. [219]: ‘( 14 ) | Tail-Flaying’. [220]: ‘[photo] | A bad sight for Flaubert: Prussians in the | studio of a Rouen photographer, 1871’. [221-232]: text. [233]: ‘( 15 ) | The Cost of Conscientious | Literature’. [234]: ‘[photo] | Caroline Commanville, | Flaubert’s niece’. [235-248]: text. [249]: ‘( 16 ) | Faithful Betrayal’. [250]: ‘[photo] | Isabelle Huppert as Emma Bovary, “a victim who | does not behave as a victim”’. [251]-265: text. [266]: blank. [267]: ‘( 17 ) | Justin: A Small Major | Character’. [268]: ‘[photo] | J.B. at the tomb of G.F., Rouen, 1983’. [269]-279: text. [280]: blank. [281-282]: acknowledgements. [283]-295: index. [296]: blank. [297]: ‘A Note About the Author | Julian Barnes is the author of nine novels, a book of | stories, and a collection of essays. He is a recipient of | the Prix Femina, and in 1988 was made an Officier | de l’Ordre des Arts et des Lettres. He lives in London.’. [298]: ‘A Note on the Type | This book was set in Fournier, a typeface name for | Pierre Simon Fournier, a celebrated type designer in | eighteenth-century France. Fournier’s type is consid- | ered transitional in that it drew its inspiration from the | old style yet was ingeniously innovational, providing | for an elegant yet legible appearance. | Composed by Creative Graphics, | Allentown, Pennsylvania | Printed and bound by R. R. Donnelley & Sons, | Harrisonburg, Virginia | Typography and binding design by | Dorothy S. Baker’.

General description: Binding 22 x 14.8 cm. Grey boards, silver blocked on blue board spine. White endpapers. Upper panel dust jacket features a photo of a Triumph Mayflower (courtesy of Julian Barnes), lettered in orange with red border (author) and white in a black rectangle. Lower panel has three vertical bands of color (blue, white, and red) with white, black, and red lettering. Flaps are white with black lettering. Jacket design by Abby Weintraub. Photograph of the author by Jillian Edelstein on back flap.

England, England (Jonathan Cape, 1998)

Notes on this edition: First edition U.K. hardback published by Jonathan Cape. This copy signed by Julian Barnes and dated “3/9/98”. ISBN: 0224052756.

Also includes an inscription from a different copy in which Barnes inscribes the preliminary page for a charity event.

Descriptive Bibliography: First Edition — England, England. London: Jonathan Cape, 1998. £15.99.

Collation: 21.5 x 13.8 cm. Pp. [i-vi, 1-2] 3-25 [26-27] 28-103 [104-105] 106-175 [176-177] 178-238 [239-240] 241-266. [i]: ‘ENGLAND, | ENGLAND’. [ii]: ‘by the same author | METROLAND | BEFORE SHE MET ME | FLAUBERT’S PARROT | STARING AT THE SUN | A HISTORY OF THE WORLD IN 10½ CHAPTERS | TALKING IT OVER | THE PORCUPINE | LETTERS FROM LONDON 1990—1995 | CROSS CHANNEL’. [iii]: title page. [iv]: copyright page. [v]: ‘TO PAT’. [vi]: blank. [1]: ‘1: ENGLAND’. [2]: blank. 3-25: text. [26]: blank. [27]: ‘2: ENGLAND, | ENGLAND | One’. 28-103: text. [104]: blank. [105]: ‘Two’. 106-175: text. [176]: blank. [177]: ‘Three’. 178-238: text. [239]: ‘3: ANGLIA’. [240]: blank. 241-266: text.

General description: Binding 22.2 x 14.4 cm. Black boards, silver blocked on spine. Dark blue endpapers. Upper and lower panels of dust jacket depict a puzzle of England in blue, orange, yellow, purple, pink, and red. Lettered in white, excepting the price in red. Illustration by Bill Gregory. Author photograph by Jillian Edelstein on back flap.

Printing Error on First Cape Edition: Below is an unusual example of a printing error on the first Jonathan Cape edition of Julian Barnes’s England, England. In this book, four pages feature a paper overlay (pp. 71-74), presumably the results of a quality control issue related to the end of a large paper roll (or the connecting of two rolls) during the printing process. The connecting paper/overlay is of a slightly different, light blue color.

Il senso di una fine | The Sense of an Ending (Einaudi, 2012; Italian)

Notes on this edition: Julian Barnes. Il senso di una fine | The Sense of an Ending. Torino: Einaudi, 2012. Pp. 150 + [6]. 22.1 x 14.1 cm. Translated by Susanna Basso. ISBN: 9788806211561. (Italian).

Visit Einaudi’s author page for Julian Barnes here: https://www.einaudi.it/autori/julian-barnes/

Love, etc. | Talking It Over (Éditions Denoël / Le Grand Livre du Mois, 1992; French | Book of the Month)

Notes on this edition: Julian Barnes. Love, etc. | Talking It Over. Paris: Éditions Denoël / Le Grand Livre du Mois, 1992. Pp. 314 + [2]. 21.7 x 14.6 cm. Translated by Raymond Las Vergnas. ISBN: 9782286040642. (French).

French translation of Julian Barnes’s Talking It Over under the title Love, etc. This “Book of the Month” selection in bound in red. Printed in October 1992.

Prerekanja | Talking It Over (Mladinska knjiga, 1997; Slovenian)

Notes on this edition: Julian Barnes. Prerekanja | Talking It Over. Ljubljana: Mladinska knjiga, 1997. Pp. 232 + [4]. 20.5 x 14.8 cm. Translated by Valerija Cokan. ISBN: 8611149572. (Slovenian).

Duffy (Jonathan Cape, 1980)

Notes on this edition: First edition – London: Jonathan Cape, 1980. £4.95. Print run: 4000.

Julian Barnes’s first book publication under the pseudonym Dan Kavanagh. Published the same year as Barnes’s first literary novel Metroland (1980).

Note in the images that Cape price clipped the front flap of the dust jacket and affixed price tags of £8.95 and £9.95. Both jackets were placed on first edition texts, showing the publisher’s increased sales price over time. Included in the images are two signatures, both as “Dan Kavanagh”, but one showing the Kavanagh “flare” Barnes typically uses when signing as his pseudonym. The second “Dan Kavanagh” appears in Barnes’s normal hand, which is unusual for his pseudonym signature.

Descriptive Bibliography:

Title Page: Duffy | Dan Kavanagh | [Jonathan Cape device] | JONATHAN CAPE | THIRTY BEDFORD SQUARE LONDON

Collation: 19.7 x 12.8 cm. Pp. [i-iv, 1-6] 7-180 [181-188]. [i]: pasted to board. [ii-iv]: blank. [1]: ‘Duffy’. [2]: blank. [3]: title page. [4]: copyright page. [5]: ‘To Pat Kavanagh’. [6]: blank. 7-180: text. [181]: text. [182-187]: blank. [188]: pasted to board.

General description: Binding 20.5 x 13.5 cm. Black boards, gold blocked on spine. No endpapers (outer leaves pasted down). Black dust jacket lettered in pink, yellow and white, with a color drawing of a woman’s foot in a pink high-heel shoe. No author photograph.

Fein gehackt und grob gewüfelt | The Pedant in the Kitchen (Kiepenheuer & Witsch, 2004; German)

Notes on this edition: Julian Barnes. Fein gehackt und grob gewüfelt: der Pedant in der Küche | The Pedant in the Kitchen. Köln: Kiepenheuer & Witsch, 2004. Pp. 157 [158] + [2]. 19.3 x 12 cm. Translated by Gertraude Krueger with illustrations by Joe Berger. ISBN: 3462034197. (German).

The Pedant in the Kitchen (Atlantic Books, 2003)

Notes on this edition: First edition – London: Atlantic Books, 2003. £9.99. Print run: 15,000.

Descriptive Bibliography:

Collation: 17.8 x 12.8 cm. Pp. [i-viii] 1-4 [5] 6-9 [10] 11-19 [20] 21-26 [27] 28-36 [37] 38-41 [42] 43-52 [53] 54-57 [58] 59-63 [64] 65-71 [72] 73-82 [83] 84-91 [92] 93-101 [102] 103-106 [107] 108-113 [114] 115-122 [123] 124-127 [128] 129-136. [i]: ‘THE PEDANT IN THE KITCHEN’. [ii]: ‘THE PEDANT’. [iii]: title page. [iv]: copyright page. [v]: ‘to She For Whom’. [vi-vii]: contents. [viii]: blank. 1-4: text. [5]: illustration. 6-9: text. [10]: illustration. 11-19: text. [20]: illustration. 21-26: text. [27]: illustration. 28-36: text. [37]: illustration. 38-41: text. [42]: illustration. 43-52: text. [53]: illustration. 54-57: text. [58]: illustration. 59-63: text. [64]: illustration. 65-71: text. [72]: illustration. 73-82: text. [83]: illustration. 84-91: text. [92]: illustration. 93-101: text. [102]: illustration. 103-106: text. [107]: illustration. 108-113: text. [114]: illustration. 115-122: text. [123]: illustration. 124-127: text. [128]: illustration. 129-136: text.

General description: Binding 18.5 x 13.7 cm. Black boards, silver blocked on spine. Red endpapers. Deep yellow dust jacket lettered in burgundy and black. Upper panel features a color illustration on of a metal spoon reflecting the image of the pedant who is holding a book in front of his face. Lower panel features a color illustration of a wooden spoon. Jacket design and illustrations by Joe Berger. Author photograph by Jillian Edelstein on back flap.

The Times Anthology of Ghost Stories (Jonathan Cape, 1975)

Notes on this edition: Julian Barnes. “A Self-Possessed Woman.” The Times Anthology of Ghost Stories. London: Jonathan Cape, 1975. Pp. 195 + [1]. 20.5 x 13.2 cm. ISBN: 0224011952.

Julian Barnes’s short story appears on pp. 132-149.

From a competition judged by Kingsley Amis, Patricia Highsmith and Christopher Lee. The Times sponsored the competition in conjunction with Jonathan Cape.

This constitutes Julian Barnes’s first book publication, as it was published five years before his first novel Metroland (Jonathan Cape, 1980). The book was published in hardback with dark green dust jacket. The top of the text block is stained yellow.

This edition was followed by a paperback edition (Corgi Books, 1977) and a German translation (Bastei Lübbe, 1979), also in paperback.

Below is pictured Julian Barnes’s advance copy sent to the author from his publisher Jonathan Cape. The copy bears Barnes’s personal ownership signature dated “MCMLXXV” [1975].