September 2017 – Page 4 – Julian Barnes Bibliography

A Book of Mediterranean Food: And Other Writings (Folio Society, 2005; Preface)

Notes on this edition: Elizabeth David. A Book of Mediterranean Food: And Other Writings. London: The Folio Society, 2005. Pp. 265. 26 cm.

Preface by Julian Barnes (ix-xxii). Decorations by John Minton. Watercolors by Sophie MacCarthy

Duffy en de pornokoning | Duffy (Uitgeverij de Arbeiderspers, 1982; Dutch)

Notes on this edition: Dan Kavanagh. Duffy en de pornokoning | Duffy. Amsterdam: Uitgeverij de Arbeiderspers, 1982. Pp. 199 + [5]. 20 x 11.5 cm. Translated by C. A. G. van den Broek. ISBN: 9029524588. (Dutch).

The Lemon Table (Jonathan Cape, 2004)

Notes on this edition: First edition – London: Jonathan Cape, 2004. £16.99.

Descriptive Bibliography:

Copyright Page: Published by Jonathan Cape 2004 | 2 4 6 8 10 9 7 5 3 1 | Copyright © Julian Barnes 2004 | Julian Barnes has asserted his right under the Copyright, | Designs and Patents Act 1988 to be identified as the author of this work | This book is sold subject to the condition that it shall not, by way of | trade or otherwise, be lent, resold, hired out, or otherwise circulated without the | publisher’s prior consent in any form of binding or cover other than that in | which it is published and without a similar condition including this | condition being imposed on the subsequent purchaser | First published in Great Britain in 2004 by | Jonathan Cape | Random House, 20 Vauxhall Bridge Road, | London SW1V 2SA | Random House Australia (Pty) Limited | 20 Alfred Street, Milsons Point, Sydney, | New South Wales 2061, Australia | Random House New Zealand Limited | 18 Poland Road, Glenfield, | Auckland 10, New Zealand | Random House South Africa (Pty) Limited | Endulini, 5A Jubilee Road, Parktown 2193, South Africa | The Random House Group Limited Reg. No. 954009 | A CIP catalogue record for this book is available from the British Library | ISBN 0-224-07198-X | Papers used by Random House are natural, recyclable products made from | wood grown in sustainable forests; the manufacturing processes conform | to the environmental regulations of the country of origin | Typeset by Palimpsest Book Production Limited | Polmont, Stirlingshire | Printed and bound in Great Britain by | Mackays of Chatham plc, Chatham, Kent

Collation: 21.6 x 13.7 cm. Pp. [i-viii, 1-2] 3-22 [23-24] 25-48 [49-50] 51-65 [66-68] 69-83 [84-86] 87-101 [102-104] 105-120 [121-122] 123-136 [137-138] 139-158 [159-160] 161-173 [174-176] 177-199 [200-202] 203-213 [214-216]. [i]: ‘THE LEMON TABLE’. [ii]: ‘by the same author | fiction | METROLAND | BEFORE SHE MET ME | FLAUBERT’S PARROT | STARING AT THE SUN | A HISTORY OF THE WORLD IN 10½ CHAPTERS | TALKING IT OVER | THE PORCUPINE | CROSS CHANNEL | ENGLAND, ENGLAND | LOVE, ETC | non-fiction | LETTERS FROM LONDON 1990–1995 | SOMETHING TO DECLARE | THE PEDANT IN THE KITCHEN | translation | IN THE LAND OF PAIN by Alphonse Daudet’. [iii]: title page. [iv]: copyright page. [v]: ‘to Pat’. [vi]: blank. [vii]: contents. [vi]: blank. [1]: ‘A | SHORT HISTORY | OF | HAIRDRESSING’. [2]: blank. 3-22: text. [23]: ‘THE STORY | OF | MATS ISRAELSON’. [24]: blank. 25-48: text. [49]: ‘THE THINGS YOU KNOW’. [50]: blank. 51-65: text. [66]: blank. [67]: ‘HYGIENE’. [68]: blank. 69-83: text. [84]: blank. [85]: ‘THE REVIVAL’. [86]: blank. 87-101: text. [102]: blank. [103]: ‘VIGILANCE’. [104]: blank. 105-120: text. [121]: ‘BARK’. [122]: blank. 123-136: text. [137]: ‘KNOWING FRENCH’. [138]: blank. 139-158: text. [159]: ‘APPETITE’. [160]: blank. 161-173: text. [174]: blank. [175]: ‘THE FRUIT CAGE’. [176]: blank. 177-199: text. [200]: blank. [201]: ‘THE SILENCE’. [202]: blank. 203-213: text. [214-216]: blank.

General description: Binding 22.3 x 14.5 cm. Brown boards, gold blocked on spine. Gold endpapers. Colored dust jacket lettered in white, deep yellow, and orange. Features ‘Lemon (no.2)’ by Neal Brown on both upper and lower panels. Flaps are white with black lettering. Author photograph by Jillian Edelstein on back flap.

Something to Declare (Alfred A. Knopf, 2002)

Notes on this edition: First American edition – New York: Alfred A. Knopf, 2002. $25.00. Barnes has dedicated the book to his parents using their initials: ‘A. L. B. | 1909-1992 | K. M. B. | 1915-1997’. The back cover of the book features an embossed publisher’s device near the bottom edge, as pictured.

Descriptive Bibliography:

Title Page: JULIAN BARNES | Something to Declare | Essays on France | [Knopf device] | Alfred A. Knopf New York 2002

Collation: 21.1 x 14.2 cm. Untrimmed pages. Pp. [–i-–ii, i-xii] xiii-xix [xx; 1-4] 5-13 [14-18] 19-29 [30-34] 35-41 [42-46] 47-55 [56-60] 61-69 [70-74] 75-89 [90-94] 95-99 [100-104] 105-133 [134-138] 139-157 [158-162] 163-177 [178-182] 183-193 [194-198] 199 [200-204] 205-217 [218-222] 223-231 [232-236] 237-247 [248-252] 253-265 [266-270] 271-279 [280-284] 285-295 [296-298] [Note: no even page numbers were printed]. [–ii]: blank. [–i]: ‘ALSO BY JULIAN BARNES | England, England | Cross Channel | Letters from London | The Porcupine | Talking It Over | A History of the World in 10½ Chapters | Staring at the Sun | Flaubert’s Parrot | Before She Met Me | Metroland | Love, etc.’. [i]: ‘Something to Declare’. [ii]: blank. [iii]: title page. [iv]: copyright page. [v]: ‘A. L. B. | 1909–1992 | K. M. B. | 1915–1997’. [vi]: blank. [vii-viii]: contents. [ix]: list of illustrations. [x]: blank. [xi]-xix: preface. [xx]: blank. [1]: ‘( 1 ) | An Englishman Abroad’. [2]: ‘[photo] | A typical Ultimate Peasant’. [3-14]: text. [15]: ‘( 2 ) | Spending Their Deaths | on Holiday’. [16]: ‘[photo] | Three beers, one ashtray, three singers: (l. to r.) | Jacques Brel, Léo Ferré, George Brassens’. [17-30]: text. [31]: ‘( 3 ) | The Promises of Their | Ordination’. [32]: ‘[photo] | Jean Seberg kisses Jean-Paul Belmondo | to advertise A bout de souffle’. [33-42]: text. [43]: ‘( 4 ) | The Land Without Brussels Sprouts’. [44]: ‘[recipe for tomato soup] | A simple recipe’. [45]-55: text. [56]: blank. [57]: ‘( 5 ) | Tour de France 1907’. [58]: ‘[photo] | The Pont du Gard: “a little stupid,” | according to Henry James’. [59-70]: text. [71]: ‘( 6 ) | Tour de France 2000’. [72]: ‘[photo] | “To the memory of Tom Simpson, Olympic medallist, | World champion, British sporting ambassador, | died 13th July (Tour de France 1967)”’. [73]-89: text. [90]: blank. [91]: ‘( 7 ) | The Pouncer’. [92]: ‘[photo] | George Simenon with all his needs | (the maid is off camera), 1930s’. [93-100]: text. [101]: ‘( 8 ) | French Letters’. [102]: ‘[photo] | Not an Ultimate Peasant but a | sophisticated poet: Stéphane Mallarmé’. [103]-133: text. [134]: blank. [135]: ‘( 9 ) | Flaubert’s Death-Masks’. [136]: ‘[photo] | Flaubert’s death-mask’. [137]-157: text. [158]: blank. [159]: ‘( 10 ) | Not Drowning But Waving: | The Case of Louise Colet’. [160]: ‘[photo] | Louise Colet in riding costume, | by Courbet’. [161-178]: text. [179]: ‘( 11 ) | Drinking Ink’. [180]: ‘[photo] | Alphonse Karr in his garden at Saint-Raphaël’. [181]-193: text. [194]: blank. [195]: ‘( 12 ) | Two Moles’. [196]: ‘[photo] | Turgenev at forty: the age of renunciation’. [197-200]: text. [201]: ‘( 13 ) | Consolation v. Desolation’. [202]: ‘[photo] | George Sand, by Nadar’. [203-218]: text. [219]: ‘( 14 ) | Tail-Flaying’. [220]: ‘[photo] | A bad sight for Flaubert: Prussians in the | studio of a Rouen photographer, 1871’. [221-232]: text. [233]: ‘( 15 ) | The Cost of Conscientious | Literature’. [234]: ‘[photo] | Caroline Commanville, | Flaubert’s niece’. [235-248]: text. [249]: ‘( 16 ) | Faithful Betrayal’. [250]: ‘[photo] | Isabelle Huppert as Emma Bovary, “a victim who | does not behave as a victim”’. [251]-265: text. [266]: blank. [267]: ‘( 17 ) | Justin: A Small Major | Character’. [268]: ‘[photo] | J.B. at the tomb of G.F., Rouen, 1983’. [269]-279: text. [280]: blank. [281-282]: acknowledgements. [283]-295: index. [296]: blank. [297]: ‘A Note About the Author | Julian Barnes is the author of nine novels, a book of | stories, and a collection of essays. He is a recipient of | the Prix Femina, and in 1988 was made an Officier | de l’Ordre des Arts et des Lettres. He lives in London.’. [298]: ‘A Note on the Type | This book was set in Fournier, a typeface name for | Pierre Simon Fournier, a celebrated type designer in | eighteenth-century France. Fournier’s type is consid- | ered transitional in that it drew its inspiration from the | old style yet was ingeniously innovational, providing | for an elegant yet legible appearance. | Composed by Creative Graphics, | Allentown, Pennsylvania | Printed and bound by R. R. Donnelley & Sons, | Harrisonburg, Virginia | Typography and binding design by | Dorothy S. Baker’.

General description: Binding 22 x 14.8 cm. Grey boards, silver blocked on blue board spine. White endpapers. Upper panel dust jacket features a photo of a Triumph Mayflower (courtesy of Julian Barnes), lettered in orange with red border (author) and white in a black rectangle. Lower panel has three vertical bands of color (blue, white, and red) with white, black, and red lettering. Flaps are white with black lettering. Jacket design by Abby Weintraub. Photograph of the author by Jillian Edelstein on back flap.

England, England (Jonathan Cape, 1998)

Notes on this edition: First edition U.K. hardback published by Jonathan Cape. This copy signed by Julian Barnes and dated “3/9/98”. ISBN: 0224052756.

Also includes an inscription from a different copy in which Barnes inscribes the preliminary page for a charity event.

Descriptive Bibliography: First Edition — England, England. London: Jonathan Cape, 1998. £15.99.

Collation: 21.5 x 13.8 cm. Pp. [i-vi, 1-2] 3-25 [26-27] 28-103 [104-105] 106-175 [176-177] 178-238 [239-240] 241-266. [i]: ‘ENGLAND, | ENGLAND’. [ii]: ‘by the same author | METROLAND | BEFORE SHE MET ME | FLAUBERT’S PARROT | STARING AT THE SUN | A HISTORY OF THE WORLD IN 10½ CHAPTERS | TALKING IT OVER | THE PORCUPINE | LETTERS FROM LONDON 1990—1995 | CROSS CHANNEL’. [iii]: title page. [iv]: copyright page. [v]: ‘TO PAT’. [vi]: blank. [1]: ‘1: ENGLAND’. [2]: blank. 3-25: text. [26]: blank. [27]: ‘2: ENGLAND, | ENGLAND | One’. 28-103: text. [104]: blank. [105]: ‘Two’. 106-175: text. [176]: blank. [177]: ‘Three’. 178-238: text. [239]: ‘3: ANGLIA’. [240]: blank. 241-266: text.

General description: Binding 22.2 x 14.4 cm. Black boards, silver blocked on spine. Dark blue endpapers. Upper and lower panels of dust jacket depict a puzzle of England in blue, orange, yellow, purple, pink, and red. Lettered in white, excepting the price in red. Illustration by Bill Gregory. Author photograph by Jillian Edelstein on back flap.

Printing Error on First Cape Edition: Below is an unusual example of a printing error on the first Jonathan Cape edition of Julian Barnes’s England, England. In this book, four pages feature a paper overlay (pp. 71-74), presumably the results of a quality control issue related to the end of a large paper roll (or the connecting of two rolls) during the printing process. The connecting paper/overlay is of a slightly different, light blue color.

De beuk erin | Putting the Boot In (Uitgeverij de Arbeiderspers, 1987; Dutch)

Notes on this edition: Dan Kavanagh. De beuk erin | Putting the Boot In. Amsterdam: Uitgeverij de Arbeiderspers, 1987. Pp. 196. 20 x 11.5 cm. Translated by Sjaak Commandeur. ISBN: 9029525010. (Dutch).

In de vernieling | Going to the Dogs (Uitgeverij de Arbeiderspers, 1988; Dutch)

Notes on this edition: In de vernieling | Going to the Dogs. Amsterdam: Uitgeverij de Arbeiderspers, 1988. Pp. 224. 20 x 11.5 cm. Translated by Harry Pallemans. ISBN: 9029525061. (Dutch).

Talking It Over (Vintage International, 1992; Canadian Edition)

Notes on this edition: Julian Barnes. Talking It Over. Toronto: Vintage Books, 1992. Pp. 275 + [1]. 20.2 x 13.1 cm. ISBN: 0394222989.

Stated as the “First Vintage Books Edition” to the copyright page. This paperback edition of Julian Barnes’s novel Talking It Over is the first Canadian paperback edition. While appearing nearly identical to the first Vintage International edition published in the U.S., the two editions feature different title pages, copyright pages, and there are subtle differences to the dust covers, including price and promotional blurbs. A later printing copyright page is also pictured above.

The example below is priced at $17.95. It features blurbs from Canadian publications to the back cover. The copyright page states this is a “First Vintage Books Edition” and has a printing number line that reads “10 9 8 7 6 5 4 3 2”, but the back of the book includes advertisements for England, England (1998) and — “NEW FROM RANDOM HOUSE CANADA” — Love, etc (2000), thus suggesting it is a later reprint. ISBN: 9780394222981.

Talking It Over (Vintage International, 1992; U.S. Edition)

Notes on this edition: Julian Barnes. Talking It Over. New York: Vintage International, 1992. Pp. 275 + [1]. 20.2 x 13.1 cm. ISBN: 9780679736875.

The first U.S. paperback edition of Julian Barnes’s novel Talking It Over. A very similar edition was published by Vintage Books as the first Canadian paperback edition. While appearing nearly identical, the two editions feature different title pages, copyright pages, and there are subtle differences to the dust covers, including price and promotional blurbs.

This example is priced at $11.00. It features blurbs from U.S. publications to the back cover.

Il senso di una fine | The Sense of an Ending (Einaudi, 2012; Italian)

Notes on this edition: Julian Barnes. Il senso di una fine | The Sense of an Ending. Torino: Einaudi, 2012. Pp. 150 + [6]. 22.1 x 14.1 cm. Translated by Susanna Basso. ISBN: 9788806211561. (Italian).

Visit Einaudi’s author page for Julian Barnes here: https://www.einaudi.it/autori/julian-barnes/