Notes on this edition: Julian Barnes. England, England. Athens: Metaixmio, 2002. Pp. 377 + [7]. 19.8 x 14 cm. Translated by Αλεξάνδρα Κονταξάκη [Alexandra Kontaxaki]. ISBN: 9603753033. (Greek).
Category: Books by Julian Barnes
Flaubert’in Papağanı | Flaubert’s Parrot (Ayrinti Yayinlari, 2001; Turkish)
Notes on this edition: Flaubert’in Papağanı | Flaubert’s Parrot. Istanbul: Ayrıntı Yayinlari, 2001. Pp. 206 + [2]. 19.5 x 13.1 cm. Translated by Serdar Rifat Kırkoğlu. (Turkish).
An earlier edition of Julian Barnes’s novel was published in Turkey under the same title (Can Yayinlari, 1989).
The Sense of an Ending | Uncorrected Proof (Alfred A. Knopf, 2011)
Notes on this edition: Julian Barnes. The Sense of an Ending. New York: Alfred A. Knopf, 2011. Pp. 163 + [5]. 19 x 13.4 cm.
Covered in blue paper cover with provisional publication date of “11 October 2011” printed to front and promotional information printed to back. Stated first printing of 60,000 copies. Preliminary dust jacket design included as part of the bound proof.
Original publication was set for January 2012, but the October date was selected to capitalize on the novel’s inclusion on the short list for the Man Booker Prize, which it was later awarded.
Liefde, enz. | Love, etc. (Uitgeverij Atlas, 2001; Dutch)
Notes on this edition: Julian Barnes. Liefde, enz. Amsterdam/Antwerpen: Uitgeverij Atlas, 2001. Pp. 222 [223] + [1]. 21 x 13.5 cm. Translated by Marijke Versluys. (Dutch).
Visit the Atlas website: http://www.atlascontact.nl/auteur/julian-barnes/
Aşk Vesaire | Love, etc (Ayrinti Yayinlari, 2002; Turkish)
Notes on this edition: Julian Barnes. Aşk Vesaire. Istanbul: Ayrıntı Yayinlari, 2002. Pp. 230 + [10]. 19.5 x 13 cm. Translated by Serdar Rıfat Kırkoğlu. (Turkish).
Amor, etcétera | Love, etc (Editorial Anagrama, 2001; Spanish)
Notes on this edition: Julian Barnes. Amor, etcétera. Barcelona: Editorial Anagrama, 2001. Pp. 236 + [4]. 22 x 14 cm. Translated by Jaime Zulaika. ISBN: 8433969455. (Spanish).
Love, etc (Quality Paperbacks Direct, 2000)
Notes on this edition: Julian Barnes. Love, etc. London: Quality Paperbacks Direct, 2000. Pp. 249 [250]. 21.4 x 13.5 cm.
Quality Paperbacks Direct is a book club based in England, and it published this soft cover edition the same year as the Jonathan Cape hardback. The cover design matches the Cape edition, and the copyright page states, “First Reprint 2000”.
Szerelem meg miegymás | Love, etc. (Ulpius-ház, 2001; Hungarian)
Notes on this edition: Julian Barnes. Szerelem meg miegymás. Budapest: Ulpius-ház, 2001. Pp. 249 + [7]. 19.7 x 12.7 cm. Translated by Szentgyörgyi József. (Hungarian).
Love, etc. | Uncorrected Proof (Knopf, 2001; Red Cover)
Notes on this edition: Julian Barnes. Love, etc. New York: Alfred A. Knopf, 2001. Pp. 224 + [8]. 21.2 x 14.4 cm.
Uncorrected Proof in red wraps with black lettering. Publication information and the statement, ‘THIS IS AN UNCORRECTED PROOF’ on bottom of upper panel. Title listed as, ‘Love, Etc.’ [full stop].
Alfred A. Knopf published two editions of the uncorrected proof for Julian Barnes’s novel Love, etc. The first proof was bound in red wraps, as pictured above, and appears to have been limited in its distribution. The more commonly distributed uncorrected proof features a paper cover that reproduces the colors and layout of the final hardback edition.
Love, etc. (Alfred A. Knopf, 2001)
Notes on this edition: First American edition – New York: Alfred A. Knopf, 2001. $23.00.
Descriptive Bibliography:
Title Page: LOVE, | etc. | JULIAN BARNES | [Knopf device] | ALFRED A. KNOPF | NEW YORK | 2001
Copyright Page: This Is a Borzoi Book | Published by Alfred A. Knopf | Copyright © 2000 by Julian Barnes | All rights reserved under International and Pan-American | Copyright Conventions. Published in the United States by | Alfred A. Knopf, a division of Random House, Inc., New | York. Distributed by Random House, Inc., New York. | www.aaknopf.com | Originally published in Great Britain by Jonathan Cape | an imprint of Random House Group Limited, | London, in 2000. | Knopf, Borzoi Books, and the colophon are registered | trademarks of Random House, Inc. | Library of Congress Cataloging-in-Publication Data | Barnes, Julian. | Love, etc. / Julian Barnes.—1st American ed. | p. cm. | ISBN 0-375-41161-5 (alk. paper) | 1. Triangles (Interpersonal relations)—Fiction. 2. London | (England)—Fiction. 3. Male friendship—Fiction. I. Title. | PR6052.A6657L68 2001 | 823’.914—dc21 00-062013 | Manufactured in the United States of America | First American Edition
Collation: 21.2 x 14.2 cm. Untrimmed pages. Pp. [i-viii, 1-2] 3-227 [228-232]. [i]: blank. [ii]: ‘ALSO BY JULIAN BARNES | England, England | Cross Channel | Letters from London | The Porcupine | Talking It Over | A History of the World in 10½ Chapters | Staring at the Sun | Flaubert’s Parrot | Before She Met Me | Metroland’. [iii]: ‘LOVE, etc.’. [iv]: blank. [v]: title page. [vi]: copyright page. [vii]: ‘To Pat’. [viii]: blank. [1]: ‘LOVE, etc.’. [2]: blank. 3-227: text. [228]: blank. [229]: ‘A NOTE ON THE TYPE | This book was set in Monotype Dante, a typeface | designed by Giovanni Mardersteig (1892-1977). Con- | ceived as a private type for the Officina Bodoni in | Verona, Italy, Dante was originally cut only for hand | composition by Charles Malin, the famous Parisian | punch cutter, between 1946 and 1952. Its first use was in | an edition of Boccaccio’s Trattatello in laude di Dante | that appeared in 1954. The Monotype Corporation’s | version of Dante followed in 1957. Although modeled | on the Aldine type used for Pietro Cardinal Bembo’s | treatise De Aetna in 1495, Dante is a thoroughly modern | interpretation of the venerable face. | Composed by Creative Graphics, | Allentown, Pennsylvania | Printed and bound by R. R. Donnelley & Sons, | Harrisonburg, Virginia | Designed by Anthea Lingeman’. [230-232]: blank.
General description: Binding 21.9 x 14.9 cm. Red boards, black blocked on red board spine. White endpapers. Dust jacket in cream with white flaps. Lettering is black and red on upper panel and spine. Lower panel features large author photo with a quote from The Observer by Tim Adams in white lettering. Jacket design by Carol Devine Carson. Photograph of the author by Jillian Edelstein.