Tag: Short Fiction

Cross Channel | Uncorrected Proof (Random House Canada, 1996)

Notes on this edition: Julian Barnes. Cross Channel. Random House Canada, 1996. Pp. 211 + [1]. 19.1 x 13.3 cm.

The Random House Canada uncorrected proof of Julian Barnes’s Cross Channel appears nearly identical to the American uncorrected proof issued by Alfred A. Knopf. The text block is, in fact, identical, as the Canadian proof’s title page lists the publisher as “Alfred A. Knopf”. The two proof editions differ in their paper covers, however, with the Canadian proof listing the publisher as “Random House Canada”. Both proofs list the publication date as “25 March 1996”.

Cross Channel | Uncorrected Galley Proof (Alfred A. Knopf, 1996; Large Format)

Notes on this edition: Julian Barnes. Cross Channel. Alfred A. Knopf, 1996. 27.9 x 21.5 cm.

Marked as an “Uncorrected Proof”, this galley proof of Julian Barnes’s Cross Channel was intended for in-house use and precedes the standard uncorrected proof normally issued to reviewers. The galley features a white paper cover with black lettering. Pages are reproduced two per sheet with each text line numbered, as pictured in the example images.

Note: Full inscription has been edited for privacy.

Cross Channel (Jonathan Cape, 1996)

Notes on this edition: Julian Barnes’s first collection of short stories was published in 1996 with the title Cross Channel. The stories center on the relationship between England and France. The photos include a copyright page from the third printing.

Descriptive Bibliography: First edition – London: Jonathan Cape, 1996. £13.99.

Title Page: CROSS CHANNEL | [decorative rule] | JULIAN BARNES | [Jonathan Cape device] | JONATHAN CAPE | LONDON

Copyright Page: First published 1996 | 1 3 5 7 9 10 8 6 4 2 | © Julian Barnes 1996 | Julian Barnes has asserted his right | under the Copyright, Designs and Patents Act, 1988 | to be identified as the author of this work | First published in the United Kingdom in 1996 by | Jonathan Cape | Random House, 20 Vauxhall Bridge Road, London SW1V 2SA | ‘Interference’, ‘Experiment’ and ‘Evermore’ first appeared in | the New Yorker. ‘Gnossienne’ and ‘Dragons’ were | first published in Granta. | Random House Australia (Pty) Limited | 20 Alfred Street, Milsons Point, Sydney | New South Wales 2061, Australia | Random House New Zealand Limited | 18 Poland Road, Glenfield, | Auckland 10, New Zealand | Random House South Africa (Pty) Limited | PO Box 337, Bergvlei, 2012 South Africa | Random House UK Limited Reg. No. 954009 | A CIP catalogue record for this book | is available from the British Library | Papers used by Random House UK Limited are natural, | recyclable products made from wood grown in sustainable forests. | The manufacturing processes conform to the environmental | regulations of the country of origin. | ISBN 0-224-04301-3 | Phototypeset by Intype, London | Printed and bound in Great Britain by | Mackays of Chatham PLC

Collation: 20.2 x 13.6 cm. Pp. [i-viii, 1-2] 3-20 [21-22] 23-42 [43-44] 45-62 [63-64] 65-87 [88-90] 91-111 [112-114] 115-128 [129-130] 131-148 [149-150] 151-164 [165-166] 167-188 [189-190] 191-211 [212-216]. [i]: ‘CROSS CHANNEL | [decorative rule]’. [ii]: ‘BY THE SAME AUTHOR | [decorative rule] | Metroland | Before She Met Me | Flaubert’s Parrot | Staring at the Sun | A History of the World in 10½ Chapters | Talking It Over | The Porcupine | Letters from London 1990–1995’. [iii]: title page. [iv]: copyright page. [v]: ‘TO PAT’. [vi]: blank. [vii]: contents. [viii]: blank. [1]: ‘INTERFERENCE | [decorative rule]’. [2]: blank. 3-20: text. [21]: ‘JUNCTION | [decorative rule]’. [22]: blank. 23-42: text. [43]: ‘EXPERIMENT | [decorative rule]’. [44]: blank. 45-62: text. [63]: ‘MELON | [decorative rule]’. [64]: blank. 65-87: text. [88]: blank. [89]: ‘EVERMORE | [decorative rule]’. [90]: blank. 91-111: text. [112]: blank. [113]: ‘GNOSSIENNE | [decorative rule]’. [114]: blank. 115-128: text. [129]: ‘DRAGONS | [decorative rule]’. [130]: blank. 131-148: text. [149]: ‘BRAMBILLA | [decorative rule]’. [150]: blank. 151-164: text. [165]: ‘HERMITAGE | [decorative rule]’. [166]: blank. 167-188: text. [189]: ‘TUNNEL | [decorative rule]’. [190]: blank. 191-211: text. [212-216]: blank.

General description: Binding 21 x 14.5 cm. Black boards, red blocked on spine. Black endpapers. Dust jacket in red, blue, yellow, and green. Lettered in green and white. Jacket design by Tracey Winwood. Cream jacket flaps lettered in blue, the upper flap bordered in green and the lower flap bordered in yellow. Author photograph by Jillian Edelstein on back flap reproduced in green hues.

The Library Book (Profile Books, 2012)

Notes on this edition: Julian Barnes. “The Defence of the Book.” The Library Book. London: Profile Books, 2012. Pp. 180 + [2]. 18.5 x 11.5 cm.

As part of the austerity policies sweeping through England, library cuts and closures became all too common an occurrence. In 2012, The Library Book was published in support of The Reading Agency’s efforts to promote libraries and reading.

In addition to Julian Barnes, several other authors contributed pieces to the book, including Zadie Smith, Alan Bennettt, Stephen Fry, James Brown, Anita Anand, Hardeep Singh Kohli, Luch Mangan, Seth Godin, Val McDermid, Lionel Shriver, Bella Bathurst, China Miéville, Caitlin Moran, Tom Holland, Susan Hill, Michael Brooks, Bali Rai, Ann Cleeves, Julie Myerson, Nicky Wire, Kate Mosse, Karin Slaughter, and Miranda McKerney.

Barnes’s contribution “The Defence of the Book” (pp. 9-13) claims to be “From a proposed second edition of England, England“, and it outlines the collapse of libraries and reading in England after Sir Jack Pitman’s theme park has brought forth the economic decline of ‘Old England’. Barnes published his piece of short fiction in The Guardian during National Libraries Day in February 2012.