Notes on this edition: First edition – London: Atlantic Books, 2003. £9.99. Print run: 15,000.
Title Page: IN THE KITCHEN | JULIAN BARNES | [Atlantic device] | Atlantic Books | London | TheGuardian
Copyright Page: www.julianbarnes.com | First published in Great Britain in 2003 by Atlantic Books, | on behalf of Guardian Newspapers Ltd. | Atlantic Books is an imprint of Grove Atlantic Ltd. | Copyright © Julian Barnes 2003 | The moral right of Julian Barnes to be identified as the author | of this work has been asserted in accordance with the Copyright, | Designs and Patents Act of 1988. | The Guardian is a registered trademark of the Guardian Media Group Plc. | Guardian Books is an imprint of Guardian Newspapers Ltd. | All rights reserved. N part of this publication may be reproduced, | stored in a retrieval system, or transmitted in any form or by any | means, electronic, mechanical, photocopying, recording, or otherwise, | without the prior permission of both the copyright owner and the | above publisher of this book. | 10 9 8 7 6 5 4 3 2 1 | A CIP record for this book is available from the British Library | ISBN 1 84354 239 0 | Designed by Richard Marston | Illustrations by Joe Berger | Printed in Great Britain by CPI Glasgow | Grove Atlantic Ltd | Ormond House | 26—27 Boswell Street | London | WC1N 3JZ
Collation: 17.8 x 12.8 cm. Pp. [i-viii] 1-4  6-9  11-19  21-26  28-36  38-41  43-52  54-57  59-63  65-71  73-82  84-91  93-101  103-106  108-113  115-122  124-127  129-136. [i]: ‘THE PEDANT IN THE KITCHEN’. [ii]: ‘THE PEDANT’. [iii]: title page. [iv]: copyright page. [v]: ‘to She For Whom’. [vi-vii]: contents. [viii]: blank. 1-4: text. : illustration. 6-9: text. : illustration. 11-19: text. : illustration. 21-26: text. : illustration. 28-36: text. : illustration. 38-41: text. : illustration. 43-52: text. : illustration. 54-57: text. : illustration. 59-63: text. : illustration. 65-71: text. : illustration. 73-82: text. : illustration. 84-91: text. : illustration. 93-101: text. : illustration. 103-106: text. : illustration. 108-113: text. : illustration. 115-122: text. : illustration. 124-127: text. : illustration. 129-136: text.
General description: Binding 18.5 x 13.7 cm. Black boards, silver blocked on spine. Red endpapers. Deep yellow dust jacket lettered in burgundy and black. Upper panel features a color illustration on of a metal spoon reflecting the image of the pedant who is holding a book in front of his face. Lower panel features a color illustration of a wooden spoon. Jacket design and illustrations by Joe Berger. Author photograph by Jillian Edelstein on back flap.
Notes on this edition: England, England. London: Vintage Books, 2008. ISBN: 9780099526544
Notes on this edition: A History of the World in 10½ Chapters. Edited by Ron Middleton. Cambridge: Cambridge University Press, 1995. Pp. 350. ISBN: 9780521484787.
Published as part of the “Cambridge Literature” series (Series Editor Judith Baxter) for use in classroom instruction. Includes an introduction, resource notes, study questions, and a glossary of terms.
Notes on this edition: 10 1/2 lukua maailmanhistoriaa | A History of the World in 10½ Chapters. Porvoo | Helsinki | Juva: WSOY, 1995. Pp. 430. 20 cm. Translated by Kristiina Drews. ISBN: 9510201375. (Finnish).
Notes on this edition: Ovo liči na kraj | The Sense of an Ending. Belgrade: Geopoetika, 2012. Pp. 163. 20 cm. Translated by Zoran Paunović. ISBN: 9788661450839. (Serbian).
Notes on this edition: Nije to ništa strašno | Nothing to Be Frightened of. Belgrade: Geopoetika, 2011. Pp. 197. Translated by Ivan Filipović. ISBN: 9788661450556. (Serbian)
This is the paperback edition of the original translation published in 2008.
Notes on this edition: Puls | Pulse. Belgrade: Geopoetika, 2011. Pp. 237. 21 cm. Translated by Nina Ivanović Muždeka. ISBN: 9788661450686. (Serbian).
Notes on this edition: La mesa limón | The Lemon Table. Barcelona: Anagrama, 2005. Pp. 234. 22 cm. ISBN: 9788433970688. Translated by Jaime Zulaika. (Spanish).
Paper covers with French flaps. The first Anagram edition was published in April 2005, with the 2nd published in May and the 3rd edition in June. The example featured in this post is the 3rd edition, as indicated on the copyright page and the dark blue promotional band wrapped around the covers. Author photography by Jillian Edelstein.
Notes on this edition: Pulso | Pulse. Barcelona: Editorial Anagrama, 2012. Pp. 259. 22 cm. ISBN: 9788433975799. Translated by Mauricia Bach. (Spanish).
Paper covers with French flaps. The first Anagram edition was published in 2011, whereas Anagrama published the 2nd and 3rd editions in January 2012. The example featured in this post is the 3rd edition, as indicated on the copyright page and the dark blue promotional band wrapped around the covers. Author photography by Lisbeth Salas.
Notes on this edition: First edition – Toronto: Random House Canada, 2016. $29.99. Visually, this edition resembles the first U.S. edition published by Alfred A. Knopf.
Title Page: THE NOISE OF TIME | Julian Barnes | [Random House Canada device] | RANDOM HOUSE CANADA
Copyright Page: PUBLISHED BY RANDOM HOUSE CANADA | Copyright © 2016 Julian Barnes | All rights reserved under International and Pan-American Copyright Conventions. | No part of this book may be reproduced in any form or by any electronic or mechanical | means, including information storage and retrieval systems, without permission in writ- | ing from the publisher, except by a reviewer, who may quote brief passages in a review. | Published in 2016 by Random House Canada, a division of Penguin Random House | Canada Limited, and simultaneously in the United States by Alfred A. Knopf, a division | of Penguin Random House LLC, New York. Distributed in Canada by Penguin Random | House Canada Limited, Toronto. | www.penguinrandomhouse.ca | Random House Canada and colophon are registered trademarks. | Grateful acknowledgment is made to Marion Boyars Publishers for permission | to reprint an excerpt of “A Career” from Early Poems by Yevgeny Yevtushenko, | translated by George Reavey. Reprinted by permission of Marion Boyars Publishers. | Library and Archives Canada Cataloguing in Publication | Barnes, Julian, author | The noise of time / Julian Barnes. | Issued in print and electronic formats. | ISBN 978-0-345-81657-3 | eBook ISBN 978-0-345-81659-7 | I. Shostakovich, Dmitriˇi Dmitrievich, 1906—1975—Fiction. | I. Title. | PR6052.A6657N65 2016 823’.914 C2015-908533-0 | Jacket image: Dmitri Shostakovich by Iosiph Alexandrovich Serebryany. | State Tretyakov Gallery, Moscow. © culture-images / Lebrecht | Jacket design by Carol Devine Carson | Printed and bound in the United States of America | 10 9 8 7 6 5 4 3 2 1 | [Random House Canada device]
Collation: 18.9 x 13.0 cm. Pp. [-ii-ix] x-xi [xii] [1-3] 4-60 [61-63] 64-120 [121-123] 124-197 [198-199] 200-201 [202-210]. [-i]: blank. [-ii]: ‘ALSO BY JULIAN BARNES | FICTION | Metroland | Before She Met Me | Flaubert’s Parrot | Staring at the Sun | A History of the World in 10½ Chapters | Talking It Over | The Porcupine | Cross Channel | England, England | Love, Etc. | The Lemon Table | Arthur & George | Pulse | The Sense of an Ending | NON-FICTION | Letters from London 1990–1995 | Something to Declare | The Pedant in the Kitchen | Nothing to Be Frightened Of | Levels of Life | Keeping an Eye Open: Essays on Art | TRANSLATION | In the Land of Pain by Alphonse Daudet’.[i]: ‘THE NOISE OF TIME’. [ii]: blank. [iii]: title page. [iv]: copyright page. [v]: ‘for Pat’. [vi]: blank. [vii]: ‘One to hear | One to remember | And one to drink. | —traditional’. [viii]: blank. [ix]-xi: text. [xii]: blank. : ‘[ ONE ] | On the Landing’. : blank. -60: text. : ‘[ TWO ] | On the Plane’. : blank. -120: text. : ‘[ THREE ] | In the Car’. : blank. -197: text. : blank. -201: [‘Author’s note’]. : blank. : [‘A NOTE ABOUT THE AUTHOR’]. : blank. : [‘A NOTE ON THE TYPE’]. [206-210]: blank.
General description: Binding 19.7 x 14.0 cm. Light grey, smooth paper boards with light green quarter-paper at spine stamped in gold. White endpapers. Jacket design by Carol Devine Carson. Back flap of dust jacket features an author photograph by Alan Edwards.