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Notes on this edition: Julian Barnes. Flaubert’s Parrot. New York: Alfred A. Knopf, 1985.
This review copy consists of a first American hardback edition supplemented with a promotional flyer, author photo, and a review slip from the publisher. The book is not stamped or otherwise marked as a “review” copy.
Notes on this edition: First American edition – New York: St. Martin’s Press, 1980. $10.95.
Descriptive Bibliography:
Title Page: METROLAND | Julian Barnes | St. Martin’s Press | New York
Copyright Page: © 1980 by Julian Barnes | All Rights Reserved | For information write St. Martin’s Press, Inc. | 175 Fifth Avenue, New York, N.Y. 10010 | Printed in Great Britain | First published in the U.S. in 1980 | Library of Congress Catalog No. 79-3797 | ISBN 0-312-53169-9
Collation: 19.7 x 12.8 cm. Pp. [1-10] 11-72 [73-74] 75-130 [131-132] 133-176. [1]: ‘METROLAND’. [2]: blank. [3]: title page. [4]: copyright page. [5]: ‘To Laurien’. [6]: blank. [7-8]: [contents]. [9]: ‘PART ONE | Metroland (1963) | A noir, E blanc, I rouge, U vert, O bleu | Rimbaud’. [10]: blank. 11-72: text. [73]: ‘PART TWO | Paris (1968) | Moi qui ai connu Rimbaud, je sais | qu’il se foutait pas mal si A | était rouge ou vert. Il le voyait | comme ça, mais c’est tout. | Verlaine to Pierre Louÿs’. [74]: blank. 75-130: text. [131]: ‘PART THREE | Metroland II (1977) | Things and actions are what they are, and the | consequences of them will be what they will be; | why then should we desire to be deceived? | Bishop Butler’. [132]: blank. 133-176: text.
General description: Binding 20.5 x 13.5 cm. Blue-grey boards, silver blocked on spine. Grey end-papers. Black dust jacket lettered in silver (title) and white (author), with a photograph of the author by Jerry Bauer on lower panel. Jacket based on the first U.K. edition by Jonathan Cape.
Variants: Some first editions carry a “B” stamped to the front end page, as pictured.
Review Copy Slips: Review copies for the first American edition of Metroland often included a review slip containing publication details, as pictured.
Notes on this edition: First American edition – New York: Alfred A. Knopf, 1996. $21.00.
Descriptive Bibliography:
Title Page: CROSS CHANNEL | [decorative rule] | Julian Barnes | Alfred A. Knopf [Knopf device] New York 1996
Copyright Page: THIS IS A BORZOI BOOK | PUBLISHED BY ALFRED A. KNOPF, INC. | Copyright © 1996 by Julian Barnes | All rights reserved under International and Pan-American | Copyright Conventions. Published in the United States by | Alfred A. Knopf, Inc., New York. Distributed by | Random House, Inc., New York. Originally published | in Great Britain by Jonathan Cape, London. | “Interference,” “Experiment,” and “Evermore” were | originally published in The New Yorker. “Gnossienne” and | “Dragons” were originally published in Granta. | Library of Congress Cataloging-in-Publication Data | Barnes, Julian. | Cross channel / Julian Barnes.—1st American ed. | p. cm. | ISBN 0-679-44691-5 | I. British—Travel—France—History—Fiction. I. Title. | PR6052.A6657C76 1996 95-44427 | 823’.914—dc20 CIP | Manufactured in the United States of America | FIRST AMERICAN EDITION
Collation: 18.8 x 13.3 cm. Pp. [i-x, 1-2] 3-20 [21-22] 23-42 [43-44] 45-62 [63-64] 65-87 [88-90] 91-111 [112-114] 115-128 [129-130] 131-148 [149-150] 151-164 [165-166] 167-188 [189-190] 191-211 [212-214]. [i]: blank. [ii]: ‘ALSO BY JULIAN BARNES | Metroland | Before She Met Me | Flaubert’s Parrot | Staring at the Sun | A History of the World in 10½ Chapters | Talking It Over | The Porcupine | Letters from London 1990-1995’. [iii]: ‘CROSS CHANNEL | [decorative rule]’. [iv]: blank. [v]: title page. [vi]: copyright page. [vii]: ‘TO PAT’. [viii]: blank. [ix]: contents. [x]: blank. [1]: ‘INTERFERENCE | [decorative rule]’. [2]: blank. 3-20: text. [21]: ‘JUNCTION | [decorative rule]’. [22]: blank. 23-42: text. [43]: ‘EXPERIMENT | [decorative rule]’. [44]: blank. 45-62: text. [63]: ‘MELON | [decorative rule]’. [64]: blank. 65-87: text. [88]: blank. [89]: ‘EVERMORE | [decorative rule]’. [90]: blank. 91-111: text. [112]: blank. [113]: ‘GNOSSIENNE | [decorative rule]’. [114]: blank. 115-128: text. [129]: ‘DRAGONS | [decorative rule]’. [130]: blank. 131-148: text. [149]: ‘BRAMBILLA | [decorative rule]’. [150]: blank. 151-164: text. [165]: ‘HERMITAGE | [decorative rule]’. [166]: blank. 167-188: text. [189]: ‘TUNNEL | [decorative rule]’. [190]: blank. 191-211: text. [212-214]: blank.
General description: Binding 19.7 x 13.8 cm. Cream boards, dark green quarter board gold blocked on spine. White endpapers. Dust jacket in cream, brown, and green. Lettering is white on upper panel and black on lower panel. Photo titled “Saint-Valéry, 1855” by Édouard Baldus on upper panel. Jacket design by Carol Devine Carson. Photograph of the author by Jillian Edelstein located on lower panel.
“Review Copy”: Some review copies of Julian Barnes’s Cross Channel feature “Review Copy” stamped to the front end page, as shown in the photos above.
Notes on this edition: Frank O’Connor. The Best of Frank O’Connor. New York: Alfred A. Knopf, 2009. Pp. xxxviii, 673 + [1]. 21 x 13.4 cm. ISBN: 9780307269041.
Hardbound in red cloth covers. Edited and with an introduction by Julian Barnes pp. ix-xi. Everyman’s Library #321
This particular example also features a review slip from Alfred A. Knopf. The review slip lists the publication date as 11 June 2009, and the provisional price of $26.95.
Notes on this edition: Something to Declare is Julian Barnes’s second collection of essays. The contents focus on topics related to France, its authors, artists, culture, and sport. Published as a Picador paperback, this edition represents the first U.K. edition. Also included in the photographs is a review slip that accompanied a review copy of the finished first edition of this collection.
Descriptive Bibliography: First edition – London: Picador, 2002. £8.99.
Title Page: Julian Barnes | Something to Declare | PICADOR
Copyright Page: [Picador device] | First published 2002 by Picador | an imprint of Pan Macmillan Ltd | Pan Macmillan, 20 New Wharf Road, London N1 9RR | Basingstroke and Oxford | Associated companies throughout the world | www.panmacmillan.com | ISBN 0 330 48916 X | Copyright © Julian Barnes 2002 | The right of Julian Barnes to be identified as the | author of this work has been asserted by him in accordance | with the Copyright, Designs and Patents Act 1988. | The acknowledgements on pages 303–4 constitute an extension of | this copyright page. | Every effort has been made by the publishers to contact copyright holders | of material reproduced in this book. If any have been inadvertently overlooked, | the publishers will be pleased to make restitution at the earliest opportunity. | All rights reserved. No part of this publication may be | reproduced, stored in or introduced into a retrieval system, or | transmitted, in any form, or by any means (electronic, mechanical, | photocopying, recording or otherwise) without the prior written | permission of the publisher. Any person who does any unauthorized | act in relation to this publication may be liable to criminal | prosecution and civil claims for damages. | 1 3 5 7 9 8 6 4 2 | A CIP catalogue record for this book is available from | the British Library | Typeset by Intype London Ltd | Printed and bound in Great Britain by | Mackays of Chatham plc, Chatham, Kent | This book is sold subject to the condition that it shall not, | by way of trade or otherwise, be lent, re-sold, hired out, | or otherwise circulated without the publisher’s prior consent | in any form of binding or cover other than that in which | it is published and without a similar condition including this | condition being imposed on the subsequent purchaser.
Collation: 19.6 x 12.9 cm. Pp. [i-vi] vii-xviii [1-2] 3-16 [17-18] 19-33 [34-36] 37-47 [48-50] 51-62 [63-64] 65-76 [77-78] 79-97 [98-100] 101-108 [109-110] 111-144 [145-146] 147-170 [171-172] 173-192 [193-194] 195-208 [209-210] 211-214 [215-216] 217-234 [235-236] 237-249 [250-252] 253-267 [268-270] 271-287 [288-290] 291-318. [i]: ‘Something to Declare | JULIAN BARNES has published nine novels, Metroland, Before | She Met Me, Flaubert’s Parrot, Staring at the Sun, A History of the | World in 10½ Chapters, Talking It Over, The Porcupine, England, | England and Love, etc. He is the author of a book of short stories, | Cross Channel, and also a collection of journalism, Letters from | London 1990–1995. His work has been translated into more | than thirty languages. He is the only British writer to have won | both the Prix Médicis (for Flaubert’s Parrot) and the Prix Fémina | (for Talking It Over). In 1993 he was awarded the Shakespeare | Prize by the FVS Foundation of Hamburg. He lives in London.’. [ii]: ‘Also by Julian Barnes in Picador | Metroland | Before She Met Me | Flaubert’s Parrot | Staring at the Sun | A History of the World in 10½ Chapters | Talking It Over | The Porcupine | Letters from London 1990–1995 | Cross Channel | England, England | Love, etc’. [iii]: title page. [iv]: copyright page. [v]: ‘A.L.B. | 1909–1992 | K.M.B. | 1915–1997’. [vi]: blank. vii-viii: contents. ix-xviii: preface. [1]: ‘One | An Englishman Abroad’. [2]: ‘[photo] | A typical Ultimate Peasant’. 3-16: text. [17]: ‘Two | Spending Their Deaths | on Holiday’. [18]: ‘[photo] | Three beers, one ashtray, three singers: (l to r) | Jacques Brel, Leó Ferré, George Brassens’. 19-33: text. [34]: blank. [35]: ‘Three | The Promises of Their Ordination’. [36]: ‘[photo] | Jean Seberg kisses Jean-Paul Belmondo | to advertise A bout de souffle’. 37-47: text. [48]: blank. [49]: ‘Four | The Land Without Brussels Sprouts’. [50]: ‘[recipe for tomato soup] | A simple recipe’. 51-62: text. [63]: ‘Five | Tour de France 1907’. [64]: ‘[photo] | The Pont du Gard: ‘a little stupid’, | according to Henry James’. 65-76: text. [77]: ‘Six | Tour de France 2000’. [78]: ‘[photo] | ‘To the memory of Tom Simpson, Olympic medallist, | World champion, British sporting ambassador, | died 13th July (Tour de France 1967)’’. 79-97: text. [98]: blank. [99]: ‘Seven | The Pouncer’. [100]: ‘[photo] | George Simenon with all his needs | (the maid is off camera), 1930s’. 101-108: text. [109]: ‘Eight | French Letters’. [110]: ‘[photo] | Not an Ultimate Peasant but a | sophisticated poet: Stéphane Mallarmé’. 111-144: text. [145]: ‘Nine | Flaubert’s | Death-Masks’. [146]: ‘[photo] | Flaubert’s death mask’. 147-170: text. [171]: ‘Ten | Not Drowning But | Waving: The Case of | Louise Colet’. [172]: ‘[photo] | Louise Colet in riding costume, | by Courbet’. 173-192: text. [193]: ‘Eleven | Drinking Ink’. [194]: ‘[photo] | Alphonse Karr in his garden at Saint-Raphaël’. 195-208: text. [209]: ‘Twelve | Two Moles’. [210]: ‘[photo] | Turgenev at forty: the age of renunciation’. 211-214: text. [215]: ‘Thirteen | Consolation v. | Desolation’. [216]: ‘[photo] | George Sand, by Nadar’. 217-234: text. [235]: ‘Fourteen | Tail-Flaying’. [236]: ‘[photo] | A bad sight for Flaubert: Prussians in the | studio of a Rouen photographer, 1871’. 237-249: text. [250]: blank. [251]: ‘Fifteen | The Cost of | Conscientious | Literature’. [252]: ‘[photo] | Caroline Commanville, | Flaubert’s niece’. 253-267: text. [268]: blank. [269]: ‘Sixteen | Faithful Betrayal’. [270]: ‘[photo] | Isabelle Huppert as Emma Bovary, ‘a victim who | does not behave as a victim’’. 271-287: text. [288]: blank. [289]: ‘Seventeen | Justin: A Small | Major Character’. [290]: ‘[photo] | J. B. at the tomb of G. F., Rouen, 1983’. 291-302: text. 303-304: acknowledgements. 307-318: index.
General description: Binding 19.6 x 13 cm. Card wrappers with French flaps reproducing a painting by Howard Hodgkin in red, blue, and white. Lettered in white and blue on upper panel, black and blue on spine, black on lower spine, and black and red on flaps. Blue endpapers. Photograph of a Triumph Mayflower RTWI on back flap.
Below is the third printing of the same Picador edition: