Metroland | Uncorrected Proof (Jonathan Cape, 1980)


Notes about this edition: Julian Barnes. Metroland. London: Jonathan Cape, 1980. Pp. 176. 19.8 x 13 cm.

Uncorrected Proof of the first U.K. edition published by Jonathan Cape. Published in red wraps with black lettering.

From Conversations with Julian Barnes (Univ Press of Mississippi, 2009):

Roberts: In the past you’ve mentioned, at least to me, that with Metroland you edited almost to the point of penalty on the proofs.

Barnes: I did, yes. I had to pay them some money. Not much, but a small punishment for being obsessional.

Flaubert’s Parrot (Jonathan Cape, 1984)


Notes on this Edition: Published by Jonathan Cape in 1984, Barnes’s third literary novel Flaubert’s Parrot was shortlisted for the Booker Prize and won the Geoffrey Faber Memorial Prize. After being nominated for the Booker Prize, some copies of the first edition were issued with a red wrap-around band announcing the nomination.

Several errant dust jackets were produced that were slightly darker in tone. Some of these jackets were distributed with review copies, but the rest were pulped in favor of the corrected jacket. The darker toned jacket is featured below next to the corrected jacket to emphasize the tone differences.


Descriptive Bibliography: First edition – London: Jonathan Cape, 1984. £8.50. Print run: 3000.

Title Page: JULIAN BARNES | [double rule line] | Flaubert’s | Parrot | [Jonathan Cape device] | JONATHAN CAPE | THIRTY BEDFORD SQUARE LONDON

Copyright Page: First published 1984 | Copyright © by Julian Barnes 1984 | Jonathan Cape Ltd, 30 Bedford Square, London WC1B 3EL | British Library Cataloguing in Publication Data | Barnes, Julian | Flaubert’s Parrot. | I. Title | 823’.914[F]  PR6052.A6657 | ISBN 0-224-02222-9 | ‘Flaubert’s Parrot’ was first published | in the London Review of Books, | and ‘Emma Bovary’s Eyes’ first appeared, | in an edited form, in Granta. | Printed in Great Britain by | Ebenezer Baylis and Son Limited | The Trinity Press, Worcester and London

Collation: 21.5 x 13.7 cm. Pp. [1-10] 11-190 [191-192]. [1]: ‘Flaubert’s | Parrot’. [2]: ‘by the same author | METROLAND | BEFORE SHE MET ME’. [3]: title page. [4]: copyright page. [5]: ‘To Pat’. [6]: blank. [7]: epigraph. [8]: ‘Note | I am grateful to James Fenton and the Salamander Press for per- | mission to reprint the lines from ‘A German Requiem’ on page 115. | The translations in this book are by Geoffrey Braithwaite; though he | would have been lost without the impeccable example of Francis | Steegmuller. | J.B.’. [9]: [contents]. [10]: blank. 11-190: text. [191-192]: blank.

General description: Binding 22.2 x 14.5 cm. Green cloth boards, gold blocked on spine. White endpapers. White dust jacket lettered in black. Cover image ‘Félicité Sleeping with Parrot’ by David Hockney. Photograph of the author on back flap. A small number of copies were issued in a first-state dust jacket with a misprinted color illustration.

Flaubert’s Parrot | Uncorrected Proof (Alfred A. Knopf, 1985)


Notes on this edition: Julian Barnes. Flaubert’s Parrot. New York: Alfred A. Knopf, 1985. Pp. 190 + [2]. 21 x 13.5 cm.

Uncorrected Proof of the first U.S. edition of Julian Barnes’s novel Flaubert’s Parrot published by Alfred A. Knopf in 1985. Covered in green wraps with black lettering.

Presented here are two versions of the Knopf proof. The first copy was the top proof on the cart of text blocks upon which the cover color was written. The cover has the initials “P.C.” for “Press Copy” and the inside text block is marked “Press Copy Truck” with the cover color indicated as “Spring Green (114)”. This particular copy was acquired by the press operator prior to forwarding the remaining proof copies to the publisher for distribution to reviewers.

The second copy of this proof contains the provisional publication date of “March 8, 1985” with the “8” hand-written by the publisher. Stapled to the inside cover are two sheets of promotional material. This proof represents the typical state in which a copy would be forwarded to reviewers for consideration.

Also note that on one of the promotional sheets, the publisher corrected an error in which the main character of Flaubert’s Parrot, Geoffrey Braithwaite, was listed as “Charles Braithwaite”, suggesting a temporary blurring of the main male characters in Barnes’s novel and Gustave Flaubert’s Madame Bovary [i.e. Charles Bovary].

Flaubert & Louise: Letters & Impressions (Charles Hobson, 1988; Prospectus)


Notes on this edition: In 1988, artist Charles Hobson created an limited edition artists’ book titled Flaubert & Louise: Letters & Impressions. The contents of the book include letters written by Gustave Flaubert to his lover Louise Colet. Also included are excerpts from Julian Barnes’s novel Flaubert’s Parrot in which he fictionalized Colet’s voice in a chapter titled, “Louise Colet’s Version”. Hobson merges Flaubert’s real letters with Barnes’s fictional text to create a sense of an exchange between the couple.

The item presented in the photos is a prospectus for the artists’ book prepared at the time of the publication of the work in 1988. 21.5 x 14 cm.

A copy of the original artists’ book currently sells for $3,000 on Hobson’s website. Chronicle Books also issued a spiral bound book by Hobson titled Paris Encounters that contains a section devoted to his artistic creation Flaubert & Louise. Charles Hobson writes about his creative process for this work in an exhibition catalog in 2002: http://www.charleshobson.com/Hobson_Catalog.pdf

 

Love, etc. | Advanced Uncorrected Manuscript (Random House Canada, 2000)


Notes on this edition: Julian Barnes. Love, etc. Random House Canada, 2000. 28 x 23 cm. [8.5 x 11 in.].

Random House Canada produced this spiral bound copy of Love, etc. The cover is marked as an “Advanced Uncorrected Manuscript” of the novel, and the text is a copy of the author’s manuscript with his hand-marked revisions as submitted to the publisher. This copy is inscribed by Barnes: “Never seen this before! | from | Julian Barnes”

Metroland (Jonathan Cape, 1980)


Notes on this edition: This entry features the first edition hardback of Julian Barnes’s first published novel Metroland, which won the Somerset Maugham Award in 1981. After winning the award, some copies of the first edition were issued with a red wrap-around band announcing the distinction.


Descriptive Bibliography: First edition – London: Jonathan Cape, 1980. £4.95. Print run: 3000.

Title Page: METROLAND | Julian Barnes | [Jonathan Cape device] | JONATHAN CAPE | THIRTY BEDFORD SQUARE LONDON

Copyright Page: First published 1980 | Copyright © by Julian Barnes 1980 | Jonathan Cape Ltd, 30 Bedford Square, London WC1 | British Library Cataloguing in Publication Data | Barnes, Julian | Metroland. | I. Title | 823’.9’1F PR6052.A66/ | ISBN 0-224-01762-4 | Printed in Great Britain by The Anchor Press Ltd | and bound by Wm Brendon & Son Ltd | both of Tiptree, Essex

Collation: 19.7 x 13 cm. Pp. [1-10] 11-72 [73-74] 75-130 [131-132] 133-176. [1]: ‘METROLAND’. [2]: blank. [3]: title page. [4]: copyright page. [5]: ‘To Laurien’. [6]: blank. [7-8]: [contents]. [9]: ‘PART ONE | Metroland (1963) | A noir, E blanc, I rouge, U vert, O bleu | Rimbaud’. [10]: blank. 11-72: text. [73]: ‘PART TWO | Paris (1968) | Moi qui ai connu Rimbaud, je sais | qu’il se foutait pas mal si A | était rouge ou vert. Il le voyait | comme ça, mais c’est tout. | Verlaine to Pierre Louÿs’. [74]: blank. 75-130: text. [131]: ‘PART THREE | Metroland II (1977) | Things and actions are what they are, and the | consequences of them will be what they will be; | why then should we desire to be deceived? | Bishop Butler’. [132]: blank. 133-176: text.

General description: Binding 20.5 x 13.5 cm. Blue-grey boards, silver blocked on spine. Grey end-papers. Black dust jacket lettered in silver (title) and white (author), with a photograph of the author by Jerry Bauer on lower panel.


Rogue Binding: The specimen below appears to be a rebound first edition of Julian Barnes’s Metroland. While the markings are minimal, evidence suggests the copy was previously part of a library and was at some point rebound. The poor quality of the tooling and application of the title to the spine suggests the binder used mass market materials or possibly a kit. The book is inscribed by Barnes, though whether the signature was acquired prior to the rebinding effort or not is unclear.

Welcome to the Julian Barnes Bibliography

The Julian Barnes Bibliography is established as an ongoing, ever-expanding project intended to catalog and document works created by and related to the writer Julian Barnes. The online bibliography will consist primarily of print items and related ephemera from an established collection of Julian Barnes materials.

The Julian Barnes Bibliography sets the lofty goal of establishing an online bibliography of material that builds upon and expands traditional bibliographic practices by incorporating a visual element not typically represented in print bibliographies. Photographs of items will accompany detailed text descriptions of the items on display, and each item will be tagged for indexing across the site. Entries for first editions of U.K. and U.S. publications will receive descriptive bibliographic treatment, as one would find in a traditional, academic bibliography.

The presentation of material is ongoing and corrections to the descriptions presented are welcomed, so please return frequently to browse new additions to the online collection.

Best wishes,
The Curator
Julian Barnes Bibliography