Alfred A. Knopf – Page 3 – Julian Barnes Bibliography

Keeping an Eye Open (Alfred A. Knopf, 2015)

Notes on this edition: First edition – New York: Alfred A. Knopf, 2015. $30.00.

Descriptive Bibliography:

Title Page: Keeping an Eye Open | ESSAYS ON ART | Julian Barnes | [Alfred A. Knopf device] | ALFRED A. KNOPF · NEW YORK · 2015

Copyright Page: THIS IS A BORZOI BOOK | PUBLISHED BY ALFRED A. KNOPF | Copyright © 2015 Julian Barnes | All rights reserved. Published in the United States by | Alfred A. Knopf, a division of Penguin Random House LLC, New York. | Originally published in Great Britain by Jonathan Cape, an imprint of | The Random House Group Limited, London. | www.aaknopf.com | Knopf, Borzoi Books, and the colophon are registered trademarks of | Penguin Random House LLC. | Library of Congress Cataloging-in-Publication Data | Barnes, Julian. | [Essays. Selections] | Keeping an eye open : essays on art / Julian Barnes. — First American Edition. | pages cm | Originally published in Great Britain by Jonathan Cape. | ISBN 978-1-101-87478-3 (hardcover)—ISBN 978-1-101-87479-0 (eBook) | 1. Art, Modern—19th century. 2. Art, Modern—20th century. I. Title. | N6447.B384 2015 709.04—dc23 | 2015014317 | Front-of-jacket image: Palette of Edgar Degas, Musée d’Orsay, Paris, France. | Gianni Dagli Orti/The Art Archive at Art Resource, NY | Back-of-jacket images: (top to bottom, details) Still Life with Curtain and | Flowered Pitcher by Paul Cézanne, Hermitage, St. Petersburg, Russia. | Scala/Art Resource, NY; Desperate, self-portrait by Gustave Courbet, HIP/ | Art Resource, NY; Olympia by Edouard Manet, Musée d’Orsay; Paris, France. | Scala/Art Resource/NY | Jacket design by Carol Devine Carson | Manufactured in Singapore | First American Edition

Collation: 21.4 x 17.0 cm. Pp. [-ii-vii] viii [1-2] 3-4 [5] 6-11 [12] 13-26 [27] 28-30 [31] 32 [33] 34-46 [47] 48-52 [53] 54-56 [57-58] 59-62 [63] 64 [65] 66- [60] 61-62 [63] 64-71 [72] 73-79 [80] 81-86 [87] 88 [89] 90-91 [92] 93-98 [99] 100-102 [103] 104-106 [107] 108-110 [111] 112 [113] 114-118 [119] 120 [121] 122 [123] 124-128 [129] 130-132 [133] 134-136 [137] 138-142 [143] 144 [145] 146-151 [152] 153-156 [157] 158160 [161] 162-164 [165] 166-176 [177] 178-180 [181] 182-184 [185] 186-190 [191] 192-196 [197] 198-206 [207] 208-212 [213] 214 [215] 216-220 [221] 222 [223] 224-229 [230-231] 232 [233] 234 [235] 236-240 [241] 242-248 [249] 250 [251] 252-257 [258] 259-264 [265] 266 [267] 268-270 [271] 272-278. [-ii]: [Alfred A. Knopf ‘100 YEARS’ image]. [-i] ‘ALSO BY JULIAN BARNES | FICTION | Metroland | Before She Met Me | Flaubert’s Parrot | Staring at the Sun | A History of the World in 10½ Chapters | Talking It Over | The Porcupine | Cross Channel | England, England | Love, Etc. | The Lemon Table | Arthur & George | Pulse | The Sense of an Ending | NONFICTION | Letters from London 1990–1995 | Something to Declare | The Pedant in The Kitchen | Nothing to Be Frightened of | Through the Window | Levels of Life | TRANSLATION | In The Land Of Pain by Alphonse Daudet’. [i]: ‘KEEPING AN EYE OPEN’. [ii]: blank. [iii]: title page. [iv]: copyright page. [v]: ‘FOR PAT’. [vi]: blank. [vii]-viii: [Table of Contents]. [1]: ‘KEEPING AN EYE OPEN’. [2]: blank. 3-4: text. [5]: [image with caption: ‘Quimperlé (Finistère): Le Pont fleuri’]. 6-11: text. [12]: [image with caption: ‘The Raft of the Medusa by Géricault’]. 13-26: text. [27]: [image with caption: ‘Scene of Cannibalism on the Raft of the Medusa by Géricult’]. 28-30: text. [31]: [image with caption: ‘The Raft of the Medusa by Géricault | Detail showing men waving at the ship’]. 32: text. [33]: [image with caption: ‘The Raft of the Medusa by Géricault | Detail of the man with the grey beard’]. 34-46: text. [47]: [image with caption: ‘The Raft of the Medusa by Géricault | Detail showing prone figure modelled by Delacroix’’]. 48-52: text. [53]: [image with caption: ‘Homage to Delacroix by Fantin-Latour | Detail showing, from left, Whistler, the novelist Champfleury, Manet’]. 54-56: text. [57]: [image with caption: ‘An Unmade Bed by Delacroix’]. [58]: [image with caption: ‘The Mediterranean by Courbet’]. 59-62: text. [63]: [image with caption: ‘The Meeting by Courbet’]. 64: text. [65]: [image with caption: ‘L’Atelier (detail) by Courbet’]. 66-71: text. [72]: [image with caption: ‘A Studio in the Batignolles Quarter by Fantin-Latour | Detail showing Manet (at easel), Renoir (in the picture frame), | and Monet (far right)’]. 73-79: text. [80]: [image with caption: ‘The Bouquet of Lilacs by Manet’]. 81-88: text. [89]: [image with caption: ‘The Execution of Maximilian by Manet | Detail of the NCO cocking his rifle from the painting in London (left) | and the version in Mannheim (right)’]. 90-91: text. [92]: [image with caption: ‘A Corner of the Table by Fantin-Latour | Detail showing (from left) Verlaine, Rimbaud and Léon Valade’]. 93-98: text. [99]: [image with caption: ‘Homage to Delacroix by Fantin-Latour | Detail showing Fantin-Latour’]. 100-102: text. [103]: [image with caption: ‘The Dubourg Family by Fantin-Latour’]. 104-106: text. [107]: [image with caption: ‘Homage to Cézanne by Denis | Detail showing (from left) the painters Redon and Vuillard, | the art critic André Mellario, the dealer Ambroise Vollard, | and the painters Maurice Denis and Paul Sérusier’]. 108-110: text. [111]: [image with caption: ‘The Card Players by Cézanne’]. 112: text. [113]: [image with caption: ‘Madame Cézanne in a Red Armchair by Cézanne’]. 114-118: text. [117]: [image with caption: ‘Apotheosis of Degas by Edgar Degas and Walter Barnes’]. 122: text. [123]: ‘The Dance Lesson (detail) by Degas’]. 124-128: text. [129]: [image with caption: ‘Madame Camille Redon Reading by Redon’]. 130-132: text. [133]: [image with caption: ‘Chimera (Fantastic Monster) by Redon’]. 134-136: text. [137]: [image with caption: ‘The Cyclops by Redon’]. 138-142: text. [143]: [image with caption: ‘The Anabaptists: Pierre Bonnard by Vuillard’]. 144: text. [145]: [image with caption: ‘Nude in the Bath by Bonnard’]. 146-151: text. [152]: [image with caption: ‘A Corner of the Table by Bonnard’]. 153-156: text. [157]: [image with caption: ‘Woman Sweeping by Vuillard’]. 158-160: text. [161]: [image with caption: ‘The Nape of Misia’s Neck by Vuillard’]. 162-164: text. [165]: [image with caption: ‘The Chat by Vuillard’]. 166-176: text. [177]: [image with caption: ‘The Lie by Vallotton’]. 178-180: text. [181]: [image with caption: ‘The Five Painters by Vallotton | Detail showing Vallotton (standing), Bonnard (left) and Vuillard’]. 182-184: text. [185]: [image with caption: ‘Money by Vallotton’]. 186-190: text. [191]: [image with caption: ‘The Pond (Honfleur) by Vallotton’]. 192-196: text. [197]: [image with caption: ‘Les usines de Rio Tinto à l’Estaque by Braque’]. 198-206: text. [207]: [image with caption: ‘George Braque, artist, and his wife Marcelle, Paris, 27th January, 1959 | by Richard Avedon’]. 208-212: text. [213]: [image with caption: ‘Les Affinités Electives by Magritte’]. 214: text. [215]: [image with caption: ‘La Clairvoyance by Magritte’]. 216-220: text. [221]: [image with caption: ‘Proposed Colossal Monument for Central Park North, N.Y.C.—Teddy Bear | by Oldenburg’]. 222: text. [223]: [image with caption: ‘Giant Soft Fan by Oldenburg’]. 224-229: text. [230]: [image with caption: ‘Dead Dad by Mueck’]. [231]: [image with caption: ‘La Vénus ataxique by Richer’]. 232: text. [233]: [image with caption: ‘The Head of an Englishman’]. 234: text. [235]: [image with caption: ‘The Hand of a Giant from Barnum’s Circus’]. 236-240: text. [241]: [image with caption: ‘The Painter in His Studio by Rembrandt’]. 242-248: text. [249]: [image with caption: ‘Hotel Bedroom by Freud | detail showing Caroline Blackwood’]. 250: text. [251]: [image with caption: ‘The Painter Surprised by a Naked Admirer (detail) by Freud’]. 252-257: text. [258]: [image with caption: ‘Two Japanese Wrestlers by a Sink by Freud’]. 259-264: text. [265]: [image with caption: ‘Alpine Snow by Hodgkin’]. 266: text. [267]: [image with caption: ‘After Degas by Hodgkin’]. 268-270: text. [271]: [image with caption: ‘Lovers by Hodgkin’]. 272-278: text.

General description: Binding 22.2 x 17.8 cm. Red-orange cloth boards stamped in gold lettering to spine. White endpapers. Cover design by Carol Devine Carson. Back flap of dust jacket features an author photograph by Alan Edwards.

The Lemon Table (Alfred A. Knopf, 2004)

Notes on this edition: First American edition – New York: Alfred A. Knopf, 2004. $22.95.

Descriptive Bibliography:

Title Page: The Lemon Table | STORIES | Julian Barnes | [Knopf device] Alfred A. Knopf NEW YORK 2004

Copyright Page: THIS IS A BORZOI BOOK PUBLISHED BY ALFRED A. KNOPF | COPYRIGHT © 2004 BY JULIAN BARNES | ALL RIGHTS RESERVED UNDER INTERNATIONAL AND PAN-AMERICAN COPYRIGHT | CONVENTIONS. PUBLISHED IN THE UNITED STATES BY ALFRED A. KNOPF, | A DIVISION OF RANDOM HOUSE, INC., NEW YORK. DISTRIBUTED BY | RANDOM HOUSE, INC., NEW YORK | WWW.AAKNOPF.COM | ORIGINALLY PUBLISHED IN GREAT BRITAIN BY JONATHAN CAPE, AN IMPRINT OF | THE RANDOM HOUSE GROUP LIMITED, LONDON. | KNOPF, BORZOI BOOKS, AND THE COLOPHON ARE REGISTERED TRADEMARKS | OF RANDOM HOUSE, INC. | SOME STORIES IN THIS COLLECTION WERE PREVIOUSLY PUBLISHED IN THE | FOLLOWING: “APPETITE” IN ARETÉ, “THE SILENCE” AND “KNOWING FRENCH” | IN GRANTA, “A SHORT HISTORY OF HAIRDRESSING,” “THE STORY OF MATS | ISRAELSON,” “HYGIENE,” “THE REVIVAL,” “BARK,” AND “THE FRUIT CAGE” IN THE | NEW YORKER, “VIGILANCE” IN THE TIMES LITERARY SUPPLEMENT, AND “THE THINGS YOU KNOW” IN SIGHTLINES, EDITED BY P. D. JAMES (VINTAGE UK, 2001). | LIBRARY OF CONGRESS CATALOGING-IN-PUBLICATION DATA | BARNES, JULIAN. | THE LEMON TABLE / JULIAN BARNES. | P. CM. | ISBN 1-4000-4214-3 | 1. AGING—FICTION. 2. AGED—FICTION. I. TITLE. | PR6052.A6657L46 2004 | 823’.914—DC22 2003060481 | MANUFACTURED IN THE UNITED STATES OF AMERICA | FIRST AMERICAN EDITION

Collation: 19 x 13.1 cm. Pp. [i-x, 1-2] 3-25 [26-28] 29-56 [57-58] 59-75 [76-78] 79-95 [96-98] 99-115 [116-118] 119-136 [137-138] 139-154 [155-156] 157-180 [181-182] 183-197 [198-200] 201-226 [227-228] 229-241 [242-246]. [i]: blank. [ii]: ‘BY THE SAME AUTHOR | FICTION | METROLAND | BEFORE SHE MET ME | FLAUBERT’S PARROT | STARING AT THE SUN | A HISTORY OF THE WORLD IN 10½ CHAPTERS | TALKING IT OVER | THE PORCUPINE | CROSS CHANNEL | ENGLAND, ENGLAND | LOVE, ETC. | NONFICTION | LETTERS FROM LONDON, 1990–1995 | SOMETHING TO DECLARE | THE PEDANT IN THE KITCHEN | TRANSLATION | IN THE LAND OF PAIN by Alphonse Daudet’. [iii]: ‘The Lemon Table’. [iv]: blank. [v]: title page. [vi]: copyright page. [vii]: ‘to Pat’. [viii]: blank. [ix]: contents. [x]: blank. [1]: ‘A Short History of Hairdressing’. [2]: blank. 3-25: text. [26]: blank. [27]: ‘The Story of Mats Israelson’. [28]: blank. 29-56: text. [57]: ‘The Things You Know’. [58]: blank. 59-75: text. [76]: blank. [77]: ‘Hygiene’. [78]: blank. 79-95: text. [96]: blank. [97]: ‘The Revival’. [98]: blank. 99-115: text. [116]: blank. [117]: ‘Vigilance’. [118]: blank. 119-136: text. [137]: ‘Bark’. [138]: blank. 139-154: text. [155]: ‘Knowing French’. [156]: blank. 157-180: text. [181]: ‘Appetite’. [182]: blank. 183-197: text. [198]: blank. [199]: ‘The Fruit Cage’. [200]: blank. 201-226: text. [227]: ‘The Silence’. [228]: blank. 229-241: text. [242]: blank. [243]: ‘A NOTE ON THE TYPE | The text of this book was set in Weiss, a type- | face designed in Germany by Emil Rudolf Weiss | (1875-1942). The design of the roman was completed | in 1928 and that of the italic in 1931. Both are well- | balanced and even in color, and both reflect | the subtle skill of a fine calligrapher. | COMPOSED BY | Creative Graphics, Allentown, Pennsylvania | PRINTED AND BOUND BY | R. R. Donnelley and Sons, Harrisonburg, Virginia | DESIGNED BY | Iris Weinstein’. [244-246]: blank.

General description: Binding 19.8 x 14.1 cm. Maroon boards, red quarter board gold blocked on spine. White endpapers. Colored dust jacket lettered in grey, green and yellow on the upper panel; blue and yellow on the spine; and black on lower panel. Flaps are white with black lettering. Jacket design by Carol Devine Carson and Abby Weintraub. Author photograph by Jillian Edelstein on back flap.

Related edition: Julian Barnes. The Lemon Table. New York: Alfred A. Knopf, 2004. The book went through a “Second Printing Before Publication”, as noted in the copyright page below:

The Only Story (Alfred A. Knopf, 2018)

Notes on this edition: First edition – New York: Alfred A. Knopf, 2018. $25.95. This copy inscribed by Julian Barnes.

Descriptive Bibliography:

General description: Binding 19.7 x 14.0 cm. Black paper boards stamped in gold lettering to spine. Light cream endpapers. Jacket design by Carol Devine Carson. Back cover of dust jacket features an author photograph by Urszula Soltys.

Alfred A. Knopf also sold copies with signed, tipped-in pages, as shown below:

The Noise of Time (Alfred A. Knopf, 2016)

Notes on this edition: First edition – New York: Alfred A. Knopf, 2016. $25.95. This example features a tipped-in page signed by Julian Barnes [not accounted for in the collation below]. An unspecified number were distributed with the signature page directly from the publisher.

Descriptive Bibliography:

Title Page: THE NOISE OF TIME | Julian Barnes | [Random House Canada Alfred A. Knopf device] | ALFRED A. KNOPF NEW YORK 2016

General description: Binding 19.7 x 14.0 cm. Light grey, smooth paper boards with light green quarter-paper at spine stamped in gold. White endpapers. Jacket design by Carol Devine Carson. Back flap of dust jacket features an author photograph by Alan Edwards.

Promotional Placard | A History of the World in 10½ Chapters (Alfred A. Knopf, 1989)

Notes on this item: Promotional placard advertising Julian Barnes’s novel A History of the World in 10½ Chapters (43 x 33 cm.).

This advertisement was intended to stand on display in a book store upon the publication of the novel by Alfred A. Knopf in 1989. The advertisement was acquired by a book store employee who kept it in storage for 20+ years before selling it.

Julian Barnes states that he used to have a copy of this placard in his study, but it remains unclear exactly how many placards were produced for promotional purposes.

The Best of Frank O’Connor | Uncorrected Proof (Alfred A. Knopf, 2009; Everyman’s Library #321)

Notes on this edition: Frank O’Connor. The Best of Frank O’Connor. New York: Alfred A. Knopf, 2009. Pp. xxxviii, 673 + [1]. 20.6 x 12.3 cm.

Uncorrected Proof in orange paper covers. Edited and with an introduction by Julian Barnes pp. ix-xi. Part of the Everyman’s Library series, no. 321.

The Reef | Edith Wharton (Everyman’s Library, 1996; US Edition)

Notes on this edition: Edith Wharton. The Reef. New York: Everyman’s Library / Alfred A. Knopf, 1996. Pp. 290 + [6]. 21 x 13.1 cm. ISBN: 0679447245.

Julian Barnes wrote the introduction to volume by Edith Wharton (pp. ix-xviii). Part of the Everyman’s Library series, no. 201. Republished in Barnes’s collection of essays Through the Window.

This edition is paginated the same as the U.K. edition distributed by Random House, though the dust jackets are different.

The Borzoi Reader (Alfred A. Knopf, Spring 2001)

Notes on this edition: The Borzoi Reader. Alfred A. Knopf, Spring 2001. Complimentary promotional item containing information and an excerpt from Julian Barnes’s novel Love, etc. published by Alfred A. Knopf. Barnes’s excerpt appears on pages 22-23. Also includes quote from Barnes’s editor at Knopf Gary Fisketjon.

England, England | Uncorrected Proof (Alfred A. Knopf, 1999)

Notes on this edition: England, England. Alfred A. Knopf, 1999.

Uncorrected Proof in blue wraps with black lettering. Publication information and the statement, ‘THIS IS AN UNCORRECTED PROOF’ on bottom of upper panel. (21.5 x 14 cm).

Publication date on the front cover states, ‘ May 1999’.

Another copy of this proof was issued with promotional material stapled inside both the front and back covers. The publication date on the cover includes the day written in ink as ’10 May 1999′, as pictured.

Nothing to Be Frightened Of (Alfred A. Knopf, 2008)

Notes on this edition: First edition – New York: Alfred A. Knopf, 2008. $24.95.

Descriptive Bibliography:

Copyright Page: THIS IS A BORZOI BOOK | PUBLISHED BY ALFRED A. KNOPF | Copyright © 2008 by Julian Barnes | All rights reserved. Published in the United States by Alfred A. Knopf, | a division of Random House, Inc., New York. | www.aaknopf.com | Originally published in Great Britain by Jonathan Cape, an imprint of | The Random House Group Limited, London. | A portion of this book appeared in The New Yorker | Knopf, Borzoi Books, and the colophon are registered trademarks of | Random House, Inc. | Library of Congress Cataloging-in-Publication Data | Barnes, Julian. | Nothing to be frightened of / Julian Barnes.—1st American ed. | p. cm. | | ISBN 978-0-307-26963-8 | 1. Barnes, Julian—Psychology. 2. Authors, English—20th century— | Biography. 3. Fear of death. 4. Barnes, Julian—Philosophy. | 5. Barnes, Julian—Religion. 6. Barnes, Julian—Childhood and youth. | 7. Barnes, Julian—Family. I. Title. | PR6052.A6657Z46 2008 823’.914B—dc22 2008019603 | Manufactured in the United States of America | First United States Edition

General description: Binding 22.0 x 14.7 cm. Light blue paper boards with grey quarter-cloth spine stamped in silver lettering. White endpapers. The text block has a ‘deckled’ or uncut fore edge. Cover features a photograph of Julian Barnes by Paul Stuart. Jacket design by Carol Devine Carson. Bottom of back flap dates the dust jacket as ‘9/2008’.

Additional Printings are documented below: